Zoom H4n - Manual (Page 146)

H4n patch list
145
H4n patch list
Category No. Patch Name Description
PREAMP
module
EFX
module
Guitar
00 Fender Clean Basic clean sound optimized for recording. FD CLEAN OFF
01 Natural Cho Versatile clean chorus sound for applications ranging from arpeggio to melody playing. OFF ENSEMBLE
02 FunkyCutting Great sound for seventies style funky cutting. FD CLEAN AUTO WAH
03 Clean Lead
Sound suitable for solo play, characterized by clean delay with a tempo setting of about
120 BPM.
HW CLEAN DELAY
04 Vox Clean Mersey beat sound as exemplified by the Beatles using the Vox AC30TBX. VX CLEAN LIMITER
05 Light AcoSim Acoustic guitar simulation ideal for stroke playing. ACO SIM HALL
06 Clean Comp Natural compressor sound that differs from a conventional stomp box compressor. FD CLEAN RackComp
07 CuttingPhase Phaser with a wide range of applications for various cutting styles. OFF PHASER
08 Smooth Trem Tremolo sound that smoothly enhances everything from full notes to delicate arpeggios. FD CLEAN TREMOLO
09 Deep Vibe Vibrato sound provides body to sound effects and band sound. OFF VIBE
10 Octave Down Distorted unison sound adds a one octave lower component. TS+FDcmb PITCH
11 MS Crunch Marshall Bluesbreaker crunch sound that closely tracks your picking. UK BLUES RackComp
12 Full Crunch Simulation of the versatile Mesa Boogie Mk III for backing or lead. BGcrunch RackComp
13 Air Crunch Crunch sound with a light and airy feel. UK BLUES AIR
14 Blues Tone Solid backbone for lead parts in Blues and Rock'n Roll. TS+FDcmb ROOM
15 Crossover Overdrive tone with just the right chorus for Fusion and Crossover. BGcrunch ENSEMBLE
16 Peavey Lead High gain sound of Peavey 5150 fits power chords, speedy riffs, or technical solos. PV DRIVE OFF
17 Diezel Riff Heavy riff sound using a DIEZEL Herbert simulation. DZ DRIVE OFF
18 Rectify Lead Simulation of the Mesa Boogie Rectifier high-gain sound. RECT VNT RackComp
19 Melody Line Delay sound for playing everything from melody to improvised solos. PV DRIVE DELAY
20 Classic MS Sound modeled on the Marshall 1959 SuperLead 100. MS #1959 ROOM
21 Fuzz Box Distinct fuzz tone using a combination of FUZZ FACE + Marshall sound. FZ+MSstk SPRING
22 Air Lead Mesa Boogie Mk III drive sound combines airiness with a gutsy touch. BGcrunch AIR
23 Jet Flanger Well-known jet sound makes chords more expressive. SD+MSstk FLANGER
24 Wah Lead Heavy wah sound combining distortion and auto wah, suitable for lead play. SD+MSstk AUTO WAH
Effect patches in this page" Patch List" can be used in 4track mode and audio interface func-
tion. (with sampling rate in 44.1kHz )