Operating the go mic – Samson Go Mic USB Microphone for Mac and Windows Computers (Silver) User Manual

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Operating the Go Mic

Polar Patterns

The most important characteristic of any microphone is its directionality or “pick-up

pattern”. There are three basic categories of pick up patterns; omni, bidirectional (or

figure 8) and unidirectional. Omni mics pick up sound from all directions, bidirectional

mics pick up the sound directly in front and back of the microphone while rejecting

the sound on the left and right sides, and unidirectional (cardioid) mics pick up the

sound in front of the microphone. While bidirectional microphones are very useful for

a variety of applications, a majority of “miking” situations in recording require cardioid

or omni microphones. The cardioid pick up pattern allows for better separation of

instruments in the studio and more control over feedback in live sound reinforcement.

When positioned correctly, the cardioid pick-up pattern allows you to pick up more of

the sound you want and less of the sound you don’t want. If you need to pick up sound

from all around, for example when recording a meeting around a conference table,

the Omni pattern is ideal. When the Go Mic is set to Omni pattern it will pick up sound

in a 360-degree pattern. This can also be used to pick up the ambient room sound for

natural reverb when recording acoustic instruments.

Microphone Placement

In order to maximize the sound quality, you must pay careful attention to the

placement of your Go Mic and how it is positioned for the instrument or vocalist

that you are miking. All microphones, especially cardioid microphones, exhibit a

phenomenon known as “proximity effect.” Very simply put, proximity effect is a

resulting change in the frequency response of a microphone based on the position

of the mic capsule relative to the sound source. In general, as the microphone moves

closer to the sound source, the bass response increases.You can also make subtle

changes to the frequency response by making minor adjustment to the position.

Specifically, when you point a cardioid mic directly at the sound source (on axis) you

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