Line 6 AXSys 212 User Manual

Page 24

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Chapter 3: Description of Features

24

AxSys 212 User Manual

If the

DISTORTION BOX ON/OFF

parameter is turned off, the Distortion Box effect

will not be heard (see page 35). If you adjust the

DISTORTION BOX

parameter, the

display will flash

OFF twice to indicate it is turned off.

The

DISTORTION BOX

parameter is disabled when the Acoustic Sim Preamp type

is selected (see page 28). If you attempt to modify it, the display will temporarily
read

---

.

Wah

The Wah effect creates a unique tone by sweeping the frequency of a
resonant filter.

Parameter Range

Description

Wah Type

Off, 1Ð4,
5ÐX (0-23)

Selects the type of Wah effect (see table below).

Wah Depth

00Ð99

Controls the amount of Wah (see below).

The

WAH PEDAL TYPE

parameter lets you choose from 5 settings:

Display Wah Type

Description

1

Wah Pedal

Use an expression pedal connected to the PEDAL 2 jack to
control the wah effect.

2

Auto-Wah

Creates an automatic wah by opening the filter in response
to the volume of the input.

3

Rando-Wah

Creates an automatic wah by randomly changing the filter
every time a new note is played.

4

Sample/Hold

Creates automatic wah effect by stepping the filter through
various non-contiguous settings.

5-X

Mod Assign

Routes PEDAL 2 to a selected parameter; lets you use your
Wah pedal to control something other than the wah effect.

If no pedals are connected to either

PEDAL 1 (VOLUME)

or

PEDAL 2 (WAH)

jacks

and the

WAH TYPE

parameter is set to either

1 or 5, the Wah will be turned off

automatically. Also, since you can control the Wah via MIDI (using controller 3),
the Wah effect will automatically turn on if controller 3 messages are received by
the AxSys.

The

WAH DEPTH

parameter determines how prominent the Wah effect is.

When using the Sample/Hold Wah type

4, it controls the speed. When

using the Mod Assign Wah type

5, it controls the depth of the pedalÕs

control over the parameter being modulated. For more information on
using pedals, see page 17.

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