Acoustic calibration eq professional, The advanced mcacc menu 07, How to use acoustic calibration eq professional – Pioneer Elite SC-07 User Manual

Page 49: How to interpret the graphical output

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The Advanced MCACC menu

07

49

En

1

Select ‘EQ Adjust’ from the Manual MCACC setup

menu.

2

Select the channel(s) you want and adjust to your

liking.

Use

/ to select the channel.

Use

/ to select the frequency and / to boost or

cut the EQ. When you’re finished, go back to the top of
the screen and press

 to return to Ch, then use / to

select the channel.

• The

OVER! indicator shows in the display if the

frequency adjustment is too drastic and might
distort. If this happens, bring the level down until
OVER! disappears from the display.

Tip

• Changing the frequency curve of one channel too

drastically will affect the overall balance. If the
speaker balance seems uneven, you can raise or
lower channel levels using test tones with the

TRIM

feature. Use

/ to select TRIM, then use / to

raise or lower the channel level for the current
speaker.

3

When you’re finished, press RETURN.

You will return to the

Manual MCACC setup menu.

Acoustic Calibration EQ Professional

This setup minimizes the unwanted effects of room
reverberation by allowing you to calibrate your system
based on the direct sound coming from the speakers. It
can also provide you with a graphical output of the

frequency response of your room.

1

How to use Acoustic Calibration EQ Professional

If you find that lower frequencies seem overly reverberant
in your listening room (i.e. it sounds ‘boomy’), or that
different channels seem to exhibit different reverb
characteristics, select

EQ Pro. & S-Wave (or ALL) for the

Auto MCACC setting in Automatic MCACC (Expert) on
page 44 to calibrate the room automatically. This should
provide a balanced calibration that suits the
characteristics of your listening room.

If you still aren’t satisfied with the results, the manual
Advanced EQ Setup (below) provides a more
customized calibration of your system using the direct
sound of the speakers. This is done with the help of a
graphical output that can be displayed on-screen, or
using a computer (with software available from Pioneer
— see

Connecting a PC for Advanced MCACC output on

page 72).

How to interpret the graphical output

The graph shows decibels on the vertical axis and time (in
milliseconds) on the horizontal axis. A straight line
indicates a flat-response room (no reverb), whereas a
sloping line indicates the presence of reverberation when
outputting test tones. The sloping line will eventually
flatten out when the reverberant sound stabilizes (this
usually takes about 100 ms or so).

By analyzing the graph, you should be able to see how
your room is responding to certain frequencies.
Differences in channel level and speaker distance are
taken into account automatically (compensation is
provided for comparison purposes), and the frequency
measurements can be examined both with and without

the equalization performed by this receiver.

2

Setting Acoustic Calibration EQ Professional
according to your room characteristics

Using the manual setup, you can set the time period at
which the frequency response is analyzed, pinpointing
the time that is best for system calibration with your
particular room characteristics.

1. Fine Channel Level
2. Fine SP Distance
3. Standing Wave

1c.Manual MCACC

4. EQ Adjust

5. EQ Professional

A/V RECEIVER

Exit

Return

63

[Hz]

125

[Hz]

250

[Hz]

500

[Hz]

1k

[Hz]

2k

[Hz]

4k

[Hz]

8k

[Hz]

16k

[Hz]

TRIM

dB

1c4.EQ Adjust

Exit

Finish

0.0

Ch :

L

-6.0

-8.0

0.0

+8.5

+3.0

+8.5

0.0

0.0

+3.0

A/V RECEIVER

MCACC

M1.MEMORY1

Note

1 This system allows you to customize your system calibration with the help of a graphical output that can be displayed on-screen, or using a

computer (with software available from Pioneer—see

Connecting a PC for Advanced MCACC output on page 72 for more on this).

2 Note that due to an effect known as ‘group delay’, lower frequencies will take longer to be generated than higher frequencies (this is most

obvious when comparing the frequencies at 0 ms). This initial slope is not a problem (i.e. excessive reverb) with your listening room.

SC07-05.book Page 49 Friday, April 25, 2008 11:59 AM

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