Other monitoring settings, Control room stereo inputs, 3 – connections – Tascam DS-M7.1 User Manual

Page 17

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3 – Connections

TASCAM DS-M7.1

17

1

Press the

SYSTEM

key, and use the cursor

keys until a screen similar to the following
appears:

2

Use the

VALUE

control to select between

POST

(the digital signals mirror the analog

signals) and

PRE

(the parameters described

above are ignored).

Other monitoring settings

There are other system settings related to the monitor
system, which affect the analog outputs and the digi-
tal outputs in “post” mode.

These are the SPL Reference Level, the Dimmer
level, the Surround level and the LFE Gain.

SPL Reference Level

sets the reference value of

the SPL which will be used in the monitoring envi-
ronment. See the Setup Guide for details of how this
works.

It is accessed and set in the screen described here,
however.

Dimmer level

This sets the amount by which the

monitor signal is dimmed (or attenuated) when the

DIM

key is active.

1

Press the

SYSTEM

key, and use the cursor

keys until a screen similar to the following
appears:

2

Use the

VALUE

control to set the

Dimmer

parameter value between –60 dB and –10dB
in 5 dB steps.

Surround level

This sets the amount by which

the surround (rear speaker) level is attenuated.

1

Press the

SYSTEM

key, and use the cursor

keys until a screen similar to the following
appears:

2

Use the

VALUE

control to set the

SurroundLvl

parameter value to

between 0dB and –10dB in 1 dB steps.

LFE gain

This refers to the amount of relative gain

added to the LFE channel.

1

Press the

SYSTEM

key, and use the cursor

keys until a screen similar to the following
appears:

2

Use the

VALUE

control to set the

LFEGain

parameter value to any of the following val-
ues: 0, +6, +7, +8, +9 or +10 (dB).

Control room stereo inputs

These balanced +4dB inputs are used for a direct
feed of the master CR analog outputs (your console
may give these a different name, but they are the ste-
reo outputs used for monitoring in the control room)
to the DS-M7.1.

These outputs can be monitored directly from the
DS-M7.1 using the

SRND/ST

key.

Note that the stereo inputs are subject to the same
downmix, delay, processing etc. as the surround
inputs. See the block diagram for details.

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S o l o

E x c l u s i v e

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