The blocks, Dual two tap delay – TC Electronic G-Force User Manual
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THE BLOCKS
43
Mute mode
See Mute mode in the introduction of this chapter.
DUAL TWO TAP DELAY
Dual Two Tap Delay
The Dual Two Tap Delay is capable of performing two
delay taps on each of the two delay lines. The two
delay lines have their own Input level, which basically
means that they perform much like two individual delay
processors.
Delay line 1&2
Time 1-2
Sets the delay time of the two taps on Delay line 1.
Maximum delay time per tap is 1480 ms.
Tempo
The Tempo parameter sets the relationship to the
global Tempo e.g. if you set it to 1/4T you will get
quarter note triplets of the tapped tempo. 1/4 equals
the BPM (tapped Tempo).
If you select “Ignored” the current parameter will use
the Preset value and will not be affected by the Global
Tempo.
Feedback 1-2
Sets the amount of feedback on Tap 1 and 2.
NOTE: The sum of the two feedbacks is limited to
100%.
Levels 1-2
Sets the level of each of the two taps.
Pan position 1-2
Controls the panning of the two Delay taps.
Lowcut 1-2
Cuts off frequencies lower than the selected frequency.
The slope of the filter is 12dB/octave.
Highcut 1-2
Cuts off frequencies higher than the selected
frequency. So if you feel that there is too much treble in
your signal, you remove this by adjusting the highcut
filter down. The slope of the filter is 12dB/octave.
Line Level 1-2
Adjusts the input level of the two Delay lines. This
enables you to lower the level of one of the two lines
without affecting the second. The Line level is a
percentage adjustment of the algorithm In Level.
These levels can be used for creating spillover
from a slap back Delay in Line 1 to a slower
lead Delay in Line 2. Turn the level of Line 1 up
and the Level of Line 2 down in Preset 1 and the other
way around in preset 2. The Delays will now ring out
across the preset change.
Mix
Mix between direct sound and effect.
In Level
Controls the input level of the block.
Out Level
Controls the output level of the Delay block.
Mute mode
See Mute mode in the introduction of this chapter.