4 creating monitor mixes, 4 creating monitor mixes — 29 – PreSonus StudioLive 16.0.2 User Manual

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StudioLive™ 16.0.2 Owner’s Manual

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4.4.4 Creating Monitor Mixes

Creating custom monitor mixes is critical. If musicians can’t hear themselves or their
bandmates, their performance will suffer. A monitor mix can be mono or stereo.
Most often, an individual live monitor mix is mono and is sent to a floor-wedge or
sidefill monitor. (The obvious exception is in-ear monitor systems.) A studio monitor
mix is usually stereo and is sent to a headphone amplifier, so it requires both a left-
and a right-channel input. In both cases, the function of the aux bus is the same.
As an example, let’s create a mono monitor mix on Aux 1.

1. To begin, press the Aux 1 Encoder Mode button. The Fat Channel meters will

display the send level of each of the input channels to Aux 1. The encoders below
each meter control the channel’s level in Aux 1’s mix. Use these encoders the
same way that you use the faders to set the output level to your main mix. Ask
your musicians what they would like in their monitor mix and use their requests
as a starting point.

2. By pressing the Select button for Aux 1, you can add dynamics processing and

EQ to the overall monitor mix. These are especially useful for eliminating
feedback in a monitor. Keep in mind that an equalizer can also be used to
increase the presence of an instrument by boosting that particular frequency
range without necessarily boosting the volume in the mix. This is great for getting
the lead guitar to cut through in the guitarist’s monitor mix and to provide that
extra rumble in the bassist’s mix.

3. Use the Aux 1 fader to control the level of the entire aux mix.











4. You can listen to the aux mixes you are creating, using your headphones or your

control-room monitor, by simply soloing the aux and selecting Solo as the source
in the Monitor section.

5. To solo Aux 1, press the Solo MultiMode switch and then press the Aux 1

MultiMode button.







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