Od/ds type list, Preamp type list, Appendices – Boss Audio Systems GT-100 User Manual

Page 52

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Appendices

52

OD/DS Type List

This is a list of distortion types that can be selected for OD/DS.

Category

Type

Explanation

ADVANCED

MID BOOST

This is a booster with unique

characteristics in the midrange.
Making the connection before the

COSM amp produces sound suitable

for solos.

CLEAN BOOST

This not only functions as a booster,

but also produces a clean tone that has

punch even when used alone.

TREBLE BOOST

This is a booster that has bright

characteristics.

CRUNCH

A lustrous crunch sound with an added

element of amp distortion.

NATURL OD

(NATURAL OD)

This is an overdrive sound that provides

distortion with a natural feeling.

WARM OD

This is a warm overdrive.

FAT DS

A distortion sound with thick distortion.

LEAD DS

Produces a distortion sound with both

the smoothness of an overdrive along

with a deep distortion.

METAL DS

This is distortion sound that is ideal for

performances of heavy riffs.

OCT FUZZ

A fuzz sound with rich harmonic

content.

VINTAGE

BLUES OD

This is a crunch sound of the BOSS

BD-2.
This produces distortion that faithfully

reproduces the nuances of picking.

OD-1

This models the sound of the BOSS

OD-1.
This produces sweet, mild distortion.

T-SCREAM

This models an Ibanez TS-808.

TURBO OD

This is the high-gain overdrive sound of

the BOSS OD-2.

DIST

This gives a basic, traditional distortion

sound.

RAT

This models a Proco RAT.

GUV DS

This models a Marshall GUV’ NOR.

DST+

This models a MXR DISTORTION+.

METAL ZONE

This models the sound of the BOSS

MT-2.
It produces a wide range of metal

sounds, from old style to slash metal.

’60S FUZZ

This models a FUZZFACE.
It produces a fat fuzz sound.

MUFF FUZZ

This models an Electro-Harmonix Big

Muff π.

CUSTOM

Custom OD/DS
You can customize it however you like

to match the sound you want.

Preamp Type List

This is a list of the amp types that can be selected for PREAMP.

Category

Type

Explanation

ADVANCED

NATURL CLEAN

(NATURAL CLEAN)

An unembellished, clean sound that

minimizes the amp’s idiosyncrasies,

such as its trebly character and

boomy low end.

FULL RANGE

An amp with a broad frequency

range and an extremely flat response.
Good for acoustic guitar.

COMBO CRUNCH

Crunch sound that allows the

nuances of your picking to be

expressed even more faithfully than

on conventional combo amps.

STACK CRUNCH

Great-feeling crunch sound that

responds well to picking dynamics

while retaining all the defining

characteristics of a 4 x 12” speaker

cabinet.

HiGAIN STACK

High-gain sound of a vintage

Marshall specially revamped in a

way that is possible only with COSM

modeling technology.

POWER DRIVE

A straight drive sound that works well

in a broad range of situations, from

backing to lead. A sound like this

cannot be obtained from any existing

combo amp or stack amp.

EXTREM LEAD

(EXTREME LEAD)

A new type of sound that smoothes

out the uneven frequency response

that is typical of existing large stack

amps.

CORE METAL

A large stack sound that has been

tweaked extensively in the pursuit of

the ultimate metal sound.

VINTAGE

JC-120

This models the sound of the Roland

JC-120.

CLEAN TWIN

This models a Fender Twin Reverb.

PRO CRUNCH

This models a Fender Pro Reverb.

TWEED

This models a Fender Bassman 4 x

10” Combo.

DELUXE CRUNCH

This models a Fender Deluxe Reverb.

VO DRIVE

This models the drive sound of a VOX

AC-30TB.
This is a sound that it suited to

sixties-style British rock.

VO LEAD

This models the lead sound of the

VOX AC-30TB.

MATCH DRIVE

This models the sound input to left

input on a Matchless D/C-30.
A simulation of the latest tube amp

widely used in styles from blues and

rock.

BG LEAD

This models the lead sound of the

MESA/ Boogie combo amp.
The sound of a tube amp typical of

the late ‘70s to ‘80s.

BG DRIVE

This models a MESA/Boogie with

TREBLE SHIFT SW on.

MS1959 I

This models the sound input to Input

I on a Marshall 1959.
This is a trebly sound suited to hard

rock.

MS1959 I+II

The sound of connecting inputs I

and II of the guitar amp in parallel,

creating a sound with a stronger low

end than I.

R-FIER VINTAGE

Models the sound of the Channel 2

VINTAGE Mode on the MESA/Boogie

DUAL Rectifier.

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