Dist. + echo, Left channel delay (lch delay): 0.1 - 250.0 ms, Dist – Yamaha REX50 User Manual

Page 23: Echo

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Trigger Level (TRG. LEVEL): 1 - 1 0 0

Determines the amplitude of the input signal required

to trigger the effect. This parameter functions effec­
tively as a noise gate to cut out hiss and noise when
an input signal is not present. TRG LEVEL should be
set so that the effect is activated only when a note
is played on the instrument used.

/ 27. DIST. + ECHO /

Distortion Level (DISTORTION): 0 — 100%

Sets the "degree" or "depth" of the distortion por­
tion of the effect.

Echo Balance (ECHO BAL): 0 - 100%

Determines the amount of delay or echo effect ap­
plied to the distortion sound.

Left Channel Delay (Lch DELAY): 0.1 - 250.0 ms

Sets the time between the direct sound of the instru­
ment and the first repeat heard from the left channel.

Left Channel Feedback Gain (Lch F.B): -99% —

-I-

99%

Sets the amount of the left-channel delay signal fed
back to the input of the processor. The higher the
feedback gain setting, the greater the number of
delayed repeats produced.

Right Channel Delay (Rch DELAY): 0.1 — 250.0 ms

Sets the time between the direct sound of the instru­

ment and the first repeat heard from the right
channel.

Right Channel Feedback Gain (Rch F.B): -99%

^ 99%

Sets the amount of the right-channel delay signal fed

back to the input of the processor. The higher the

feedback gain setting, the greater the number of
delayed repeats produced.

High Frequency Feedback fHIGH): 0.1 — 1.0

Controls feedback in the high-frequency range. The

high-frequency feedback is reduced as the value of

this parameter is decreased.

Midrange EQ Frequency (MID FRQ.): 560 Hz, 800 Hz,

1.0 kHz, 1.5 kHz, 2.0 kHz

Sets the mid-frequency range to be boosted

Or

cut

using the next parameter; MID GAIN.

Midrange EQ Gain (MID GAIN): - 1 2 — - H l 2 d B

Boosts or cuts response in the frequency range set
by the MID FRQ parameter (above). A setting of 0
produces no boost or cut. Minus settings (e.g: -6

dB) cut response in the selected frequency range,
while plus settings (e.g:

-I-12

dB) boost response.

Trigger Level (TRG. LEVEL): 1 - 1 0 0

Determines the amplitude of the input signal required

to trigger the effect. This parameter functions effec­
tively as a noise gate to cut out hiss and noise when
an input signal is not present. TRG LEVEL should be
set so that the effect is activated only when a note
is played on the instrument used.

22

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