Yamaha GEP50 - Manual (Page 62)

INHALT
VORSICHTSMASSNAHMEN .......................................... 65
1: BEDIENELEMENTE UND ANSCHLÜSSE
FRONTKONSOLE.............. .................................... .66
ANSCHLUSSFELD............... ............................ . . . . 6 8
2; ALLGEMEINER BETRIEB
SPEICHERANORDNUNG .......................................... 69
EFFEKT/SPEICHERPLATZWAHL ............................... 69
EFFEKT-BYPASS................................................... 70
INSERT-SCHLEIFE ........................................ . . 7 0
PARAMETER-ZUGRIFF & EDITIERUNG .....................71
VERGLEICHSFUNKTION ........................................ 72
EFFEKTSPEICHERUNG ........................................... 72
3: BESCHREIBUNG DER EFFEKTPROGRAMME &
PARAMETER
BALANCE- UND AUSGANGSPARAMETER .................. 73
1. Mid-Band Drive............ .73
2. Heavy Metal ................................................ 73
3. Punk Dist. .................................................... 73
4. Light Dist. ............................................... .73
5. Hard Overdrive ........................................... 73
6. Chunky Rhythm ............................................... 73
7. Sweet Sustain ................................................ 73
8. Punchy Lead.................................................. .73
9. Smooth Drive ................................................... 73
10. Overdrive Hall................................................. 74
11. Distortion Room ............................................. 74
12. Live Dist............................................................74
13. E/R Distortion ...................................................74
14. Slide Gate......................................................... 74
15. Slow Gate Dist...................................................74
16. Reverse Dist......................................................74
17. Delay Dist........................................................ 75
18. Dist. Filter ....................................................... 75
19. Double Dist. ..................................................... 75
20. Max-Delay Dist.................................................. 75
21. Flange Dist....................................................... 76
22. Chorus Dist....................................................... 76
23. Phase Dist........................................................ 77
24. Symphonic Dist. . ............................................. 77
25. Rev 1 Hall..........................................................78
26. Rev 2 Hall..........................................................78
27. Rev 3 Room .................................................. .78
28. Rev 4 Vocal ...................................................... 78
29. Rev 5 Vocal .................................................... 78
30. Rev 6 Plate...................................................... 78
31. Early Ref. 1 .................................................... .78
32. Early Ref. 2 .................................................... 78
33. Early Ref. 3 ................................................. .78
34. Early Ref. 4................................................... .78
35. Delay Short ................................................... .79
36. Delay Long ................................................ 79
37. Echo Short .. ...........................................
.79
38. Echo Long . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
39. Stereo Flange.......... ......................................... 79
40. Chorus ....................................................... 80
41. Stereo Phasing . . . . .
. . . . . . . . . . . . . . 8 0
42. Symphonic ................... .. . . . . . . . . . . 8 0
43. Gate Reverb................ ............................... ... 78
44. Reverse Gate .. .............................................. .78
45. Compressor
.81
46. Rev & Gate .................................................. 82
47. Pitch A ....................................................... .83
48. Pitch B .. .................................................. .84
49. Pitch C ...................................................... 84
50. Parametric EQ .............................................. 85
4: BETRIEBSFÜNKTIONEN
TITELEDITIERUNG . .............................. .86
MIDI-BANK- & KANALZUWEISUNG ......................... .86
SPEICHERABRUFBEREICH FÜR FUSSSCHALTER.88
5: DAS MIDI-DATENFORMAT................................... .89
6; TECHNISCHE DATEN............... ............................. 90
7: ROM-INHALT UND REGELBARE PARAMETER . .91
8: SPEICHERÜBERSICHT..............................................95
9: BLOCKSCHALTBILD................................................. 98
10: ABMESSUNGEN .................................................... 98
11: MIDI IMPLEMENTIERUNG ................................... 100