Intro – Electrocompaniet EMP 1 User Manual

Page 3

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1. The story of Electrocompaniet

The early days…

At an AES conference in 1973, Dr. Matti

Otala presented a paper describing a distor-

tion that he termed Transient Intermodulation

(TIM). Attending this conference was Svein

Erik Børja, a Norwegian record and broad-

casting producer and a great audio enthusiast.

The seminar held by Dr. Otala on TIM

provided Svein Erik with an explanation of

the audible imperfections he had experienced

from audio amplifiers. Svein Erik Børja

brought the AES papers to Electrocompaniet,

and asked if we could make an amplifier

based on Dr. Otala’s theory.

A few prototype amplifiers were made and the

sound, compared to other transistor amplifiers,

was encouraging. But Svein Erik Børja, being

the perfectionist he was, felt that this amplifier

design approach had a greater potential. At

that time we did not know too much about

high-end audio designs. This gave an element

of neutrality to our research, which we believe

contributed to the amplifier’s success. We

consider our audio designers from that time to

have been the first in what may be called the

new ‘TIM-free’ school.

The next 3 years went to further research and

design improvement. During this time we had

to develop a new ‘language’ to translate what

we were hearing, into practical design param-

eters (distortion, frequency response etc.) A

new mathematical equation was developed

to better describe the AC (music) character-

istics of the transistor, rather than the normal

DC characteristics. The result of this work

culminated in the launch of our first 2 x 25W

unit, “The 2 Channel Audio Power Amplifier.”

The final approval came in 1976 when the

American ‘bible’, The Audio Critic magazine,

tested the amplifier and wrote: “Audio freaks

– eat your hearts out. This is the world’s best

sounding amplifier.”

Since these early days, Electrocompaniet’s

designs have been continually improved and

our product programme has steadily grown.

Today we are represented in 36 countries

worldwide and our products are considered to

be among the very best in the audio industry.

The vision that drove us in the early days has

stayed:
If the music really matters....

Intro

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