Grass Valley Zodiak v.6.0 Mar 15 2006 User Manual
Page 411
Zodiak — User Manual
411
Chroma Key Operating Notes
3.
When making this adjustment, it is helpful to turn the secondary
Chroma
Suppression
to maximum, and the secondary
Suppression Angle
to produce
an unnatural color in the affected area. This makes the changes to
secondary suppression more obvious.
4.
Selectivity
should be kept as wide as possible. You should only narrow
selectivity (increase its value) if you cannot avoid changing opaque
areas of the foreground.
5.
Adjust the secondary
Angle
so that changing secondary
Chroma
suppression moves the color in the desired direction. You are trying to
match the color of the translucent areas to an opaque (uncorrupted)
area of the foreground subject.
6.
Decrease secondary
Chroma
suppression for the best match between
corrupted (translucent) and uncorrupted (opaque) areas. Interaction
between secondary suppression
Angle
and
Chroma
suppression may
require repeating these adjustments.
7.
Increase secondary
Luma
suppression to balance lightness of the
translucent and opaque areas.
8.
Repeat secondary suppression
Angle
,
Chroma
suppression and
Luma
suppression for best results.