Misc (miscellaneous), Pitch, Chorus – Fostex DE-10 User Manual

Page 10

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10

DE-10 Owner’s Manual

• MISC (Miscellaneous)

MISC 1 (Random E/R)

: Random early reflections. When applied to instruments with a slow attack, this produces a

natural feeling of air and space.

MISC 2 (Soft Random E/R)

: Random early reflections. Less high range than MISC 1, so suitable for backing tracks.

MISC 3 (Tight Random E/R)

: Random early reflections with only high-frequency components.

MISC 4 (Long E/R)

: Miraculous ambience that could not exist in the real world, with early reflections that

continue without being covered by reverberant components.

MISC 5 (Short E/R)

: Random early reflections at close spacing appear all at once. Effective for giving natural

spaciousness to pad-type sounds.

MISC 6 (Large Hall E/R)

: Early reflections of a large hall.

MISC 7 (Soft Large Hall E/R)

: Early reflections of a large hall. Gentler sound than MISC 4.

MISC 8 (Small Hall E/R)

: Early reflections of a small hall.

MISC 9 (Soft Small Hall E/R)

: Early reflections of a small hall. Gentler sound than MISC 6.

MISC 10 (Reverse E/R)

: Early reflections of reverse reverb. Effective on vocal or brass section.

MISC 11 (Gate Reverb)

: Gated early reflection with a crisp cutoff.

*

[EFFECT 1_ADJUST]

knob (PARAM.1):

Adjust the Room Size.

*

[EFFECT 2_ADJUST]

knob (PARAM.2):

Adjust the E/R Feedback.

*

[EFFECT 2_MIX]

knob (PARAM.3):

Adjust the Character.

• PITCH

PITCH 1—3 (Stereo Pitch)

: Stereo pitch shift with maintaining the stereo image. Can be shifted within the range of +/- one

octave. The internal processing of each type differs, resulting in the sound character difference.
• Pitch 1: Recommended for general use.
• Pitch 2: Recommended for use when the pitch variation is small, to get a smooth sound.
• Pitch 3: Recommended for use when you do not want to alter the tone character. Note that,

however, a delay is generated.

PITCH 4—6 (Dual L-R Pitch)

: Dual pitch shift. You can hear the two different pitch shifted sound from the center. The internal

processing of each type differs, resulting in the sound character difference.
• Pitch 4: Recommended for general use.
• Pitch 5: Recommended for use when the pitch variation is small, to get a smooth sound.
• Pitch 6: Recommended for use when you do not want to alter the tone character. Note that,

however, a delay is generated.

PITCH 7—9 (Dual Mono Pitch)

: Dual pitch shift. You can hear the two different pitch shifted sound from the center. One octave

higher than PITCH(es) 4 through 6. The internal processing of each type differs, resulting in the
sound character difference.
• Pitch 7: Recommended for general use.
• Pitch 8: Recommended for use when the pitch variation is small, to get a smooth sound.
• Pitch 9: Recommended for use when you do not want to alter the tone character. Note that,

however, a delay is generated.

PITCH 10 (Pitch Delay)

: Dual pitch shift with long delay feedback. You can adjust two pitches and pitch adjustment.

PITCH 11 (Pitch Sweeper)

: Dual pitch shift with short delay feedback. You can adjust two pitches and pitch adjustment.

<PITCH-1, 2, 3>

*

[EFFECT 1_ADJUST]

knob (PARAM.1):

Adjust the Pitch.

*

[EFFECT 2_ADJUST]

knob (PARAM.2):

Not used.

*

[EFFECT 2_MIX]

knob (PARAM.3):

Adjust the Pitch 1/2.

<PITCH-14, 5, 6, 7, 8, 9, 10, 11>

*

[EFFECT 1_ADJUST]

knob (PARAM.1):

Adjust the Pitch 1.

*

[EFFECT 2_ADJUST]

knob (PARAM.2):

Adjust the Pitch 2.

*

[EFFECT 2_MIX]

knob (PARAM.3):

Adjust the Pitch 1/2.

OUTPUT 1 (L)

OUTPUT 1 (R)

PITCH

INPUT 1

INPUT 2

• CHORUS

CHORUS 1 (3D Chorus)

: Simulation of an analog three-phase chorus with great spaciousness and depth.

CHORUS 2 (Doubling Chorus)

: CHORUS 1 plus a doubling effect produced by a short delay.

CHORUS 3 (Mono Chorus)

: Center-panned chorus. Ideal for vocals or sax.

CHORUS 4 (Thin Chorus)

: Clean thin chorus

CHORUS 5 (Thin Doubling Chorus)

: CHORUS 4 plus a doubling effect produced by a short delay.

CHORUS 6 (Deep Chorus)

: Deep chorus

CHORUS 7 (Deep Doubling Chorus)

: CHORUS 4 plus a doubling effect produced by a short delay.

CHORUS 8 (Warm Chorus)

: Complex chorus using the feedback algorithm.

CHORUS 9 (Mono Warm Chorus)

: Center-panned chorus of CHORUS 8.

CHORUS 10 (SFX Chorus 1)

: SFX chorus 1. Suitable for strings, Pad, etc.

CHORUS 11 (SFX Chorus 2)

: SFX chorus 2. Suitable for strings, Pad, etc.

*

[EFFECT 1_ADJUST]

knob (PARAM.1):

Adjust the Chorus Depth.

*

[EFFECT 2_ADJUST]

knob (PARAM.2):

Not used.

*

[EFFECT 2_MIX]

knob (PARAM.3):

Not used.

OUTPUT 1 (L)

OUTPUT 1 (R)

CHORUS

INPUT 1

INPUT 2

OUTPUT 1 (L)

OUTPUT 1 (R)

MISC

INPUT 1

INPUT 2

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