How to use the single (1/2) mode – Fostex DE-10 User Manual

Page 19

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19

DE-10 Owner’s Manual

How to use the Single (1/2) Mode

The following shows the examples of using the single mode for a live performance, in which a guitar, keyboard
and microphone are directly connected to the DE-10, while the effect outputs of the DE-10 are connected to a
keyboard amplifier or guitar amplifier.
You can also use the Model 8051 optional foot switch for controlling on/off of EFFECT MUTE.

<About features of the Single Mode>

1. You can use the DE-10 as a high quality single-channel effect processing unit.
2. Stereo inputs and outputs are provided.
3. Three main parameters for each effect can be edited from the preset values.
4. You can apply a higher density reverberation than the dual mode.
5. For the delay, flange and pitch effects, the independent channel algorithm is employed, offering

completely separated processing for L and R channels.

PEAK

PEAK

ADJUST

1

TYPE

VARIATION

DELAY

PITCH

FLANGE

VOCAL

L.HALL

ROOM

DLY+REV

S.HALL

PLATE

MISC

CHO

5

1

1

7

3

6

2

4

10

8

9

TYPE

VARIATION

G

J

K

E

A

C

MIX

EFF

DRY

DUAL

SINGLE1

F

B

D

H

I

5

1

11

7

3

6

2

4

10

8

9

EFF

DRY

DRY+EFF

DRY+EFF

PROCESSORS

MULTI EFFECT

DUAL

POWER

CHORUS

MISC

FLANGER

PITCH

DELAY

DISTORTION

G.MULTI 1

G.MULTI 2

B.MULTI

VO.MULTI

G

J

K

H

I

SINGLE 2

SINGLE1/DUAL

MODE

MODE SINGLE1/DUAL

SINGLE 2

C

B

E

D

A

MIC SIM

PLATE

ROOM

S.HALL

L.HALL

L.HALL

PLATE

VOCAL

S.HALL

ROOM

F

DELAY+REV

AMP SIM

MODE

SINGLE2

PARAM.2

MIX

PARAM.3

EFF MUTE

EFFECT 2

ADJUST

PARAM.1

EFFECT 1

PEAK

PEAK

ADJUST

1

TYPE

VARIATION

DELAY

PITCH

FLANGE

VOCAL

L.HALL

ROOM

DLY+REV

S.HALL

PLATE

MISC

CHO

5

1

1

7

3

6

2

4

10

8

9

TYPE

VARIATION

G

J

K

E

A

C

MIX

EFF

DRY

DUAL

SINGLE1

F

B

D

H

I

5

1

11

7

3

6

2

4

10

8

9

EFF

DRY

DRY+EFF

DRY+EFF

PROCESSORS

MULTI EFFECT

DUAL

POWER

CHORUS

MISC

FLANGER

PITCH

DELAY

DISTORTION

G.MULTI 1

G.MULTI 2

B.MULTI

VO.MULTI

G

J

K

H

I

SINGLE 2

SINGLE1/DUAL

MODE

MODE SINGLE1/DUAL

SINGLE 2

C

B

E

D

A

MIC SIM

PLATE

ROOM

S.HALL

L.HALL

L.HALL

PLATE

VOCAL

S.HALL

ROOM

F

DELAY+REV

AMP SIM

MODE

SINGLE2

PARAM.2

MIX

PARAM.3

EFF MUTE

EFFECT 2

ADJUST

PARAM.1

EFFECT 1

MIC/G

LINE

TRIM

GUITAR

MIC

model 8051

SINGLE MODE

DUAL MODE

2

(MONO)

1 (1&2)

LINE INPUT (-10dBV)

OUTPUT 2

OUTPUT 1

EFF MUTE

MAX

MIN

MIN

MAX

MIC/GUITAR INPUT

FOOT SW

R

R

L

(MONO)

R

L

L(MONO)

MIC/G

LINE

MIC/G

LINE

Adjust the input levels from a key-
board using the input level controls.
See <Caution on Effect Processing>
on the next page for details about how
to set the level.

Connect to the input of a key-
board amplifier or guitar ampli-
fier.

Connect to the L and R out-
puts of a keyboard. If the key-
board provides a mono out-
put, use the "L (MONO)" jack.
Set the input select switch to
"LINE".

Connect to a microphone or guitar di-
rectly. Set the input select switch to "MIC/
G".

Adjust the input level
of a microphone or
guitar using the TRIM
control.

Set to "LINE" when
connecting to a
keyboard.

Set to "MIC/G"
when connecting
to a microphone or
guitar.

We describe how to use the single (1 or 2) mode below.

In the single (1/2)
mode, these jacks are
not used.

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