Dynamic modulation and bpm/midi sync, P.85), To adjust the overall tone – KORG X50 User Manual

Page 91: Fect, Master effects master eq, Insert effect, Master effects

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Dynamic modulation and BPM/MIDI Sync.

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In this example, IFX is used by 2 (timbre 2) and 5
(timbre 5).

In the same way as for a program, you can select
the insert effect, turn it on/off, and set the “Pan
(CC#8),” “BUS Select,” “S1” (Send 1 (MFX1)), and
“S2” (Send2 (MFX2)) parameters that follow the
insert effect. (

☞p.82)

Master effects
Master EQ

These settings are made in the same way as for
programs (

☞p.83).

Specifying the MIDI channel that will
control effects

Insert effect

You can specify the MIDI channel that will control
the insert effect dynamic modulation (Dmod) and
the “Pan” (CC#8), “Send 1 (MFX1),” and “Send 2
(MFX2)” settings that follow the insert effect.

An asterisk “

*

” is shown at the right of Ch01–16

for the channel numbers of timbres that are routed
to IFX. If multiple timbres/tracks of different
MIDI channels are routed to IFX, set the “Control
Channel” to specify the channel you’ll use to con-
trol the effect.

For a combination, you will normally use the Gch
(global MIDI channel) to control the effect.

For a multi set, you can use any MIDI channel that
is convenient.

“All Rt.” stands for All Routed, indicating that
you can control the effect using the channel of any
timbre/track that is routed.

Master effects

You can specify the MIDI channel that will control
dynamic modulation (Dmod) for the master effects.

For a combination, you will normally use the Gch
(global MIDI channel) to control the effects.

For a multi set, you can use any MIDI channel that
is convenient.

Dynamic modulation and
BPM/MIDI Sync.

Dynamic modulation (Dmod) is a function that
lets you use MIDI messages or the X50’s control-
lers to control specific effect parameters in real-
time.

BPM/MIDI Sync. is another function that controls
effect parameters, and is used to synchronize the
LFO speed of modulation-type effects or the delay
time etc. of delay-type effects to the tempo of the
arpeggiator or an external sequencer.

Using dynamic modulation to con-
trol effects in realtime

These examples show how you can use dynamic
modulation to control an effect parameter in real-
time.

1.

As described in the procedure for “Effect
settings for a program” (

☞p.81), set “IFX” to

49: LCR BPM Delay

. Verify that a delay sound

is being output.

Then continue on to set the items described
below.

Moving the [MOD] wheel to vary the
delay level via Dmod

1.

Access the PROG 8: Ed–InsertFX, IFX page.

2.

Set “InLvl Mod” to +100.

3.

Set “Src” to M.Whl#1.

The [MOD] wheel will control the input level to
the effect.

If this is set to M.Whl#1, moving the [MOD]
wheel up will gradually increase the level of
the delayed signal.

Using the Dmod function and [SW1] to
vary the feedback level

1.

In the PROG 7: Ed–Arp/Ctrls, Controls page,
set the function of “SW1” to SW1 Mod.
(CC#80), Toggle.

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