Zoom B22 - Manual (Page 33)

Category No. Patch name Description Main effect
DEMO
A0 ROCK
Based on the ultimate rock bass amp, the AMPEG SVT, this sound is great both for bare finger playing and when
using a pick.
AMPEG
A1 Heavy Comp Simulates the sound of a HARTKE HA3500 with 4.5XL that became the Will Lee trademark. COMP & HARTKE
A2 No Holds Barred All-rounder distortion sound. Turn on pedal wah, flanger, and echo for even more excitement. ODB-3
A3 AUTO WAH Traditional-style auto wah. Transform percussive play with ghost notes straight into a funky sound. AUTO WAH
A4 Yes! Progressive rock sound, taking a hint from Yes bassist Chris Squire. CHORUS & ECHO
A5 Pop Style Straightforward but addictive sound for pop and rock. A slight dash of room reverb is the secret ingredient. BASSMAN
A6 -12 Below Classic sub-octaver sound created by Pino Palladino. OCTAVE
A7 No Worries Fretless bass sound using the defret effect. Add a slide to a phrase and turn your instrument into a fretless bass. DEFRET
A8 Stream Flanging sound for those smooth and flowing phrases, supported by a solid backbone. FLANGER
A9 Synth Bass PAD type synth bass sound. Great for lead bass and for programing sound during live play. MONO SYN
MODELING
B0 SVT Combines the all-tube SVT from AMPEG with an 810E cabinet. Experience that gutsy tube amp sound. AMPEG
B1 HARTKE
Simulation of HARTKE HA3500 head amp combined with aluminum-cone cabinet 4.5XL. Note the
characteristically straightforward punch of aluminum.
HARTKE
B2 SUPER BASS
Simulation of MARSHALL 1992 Super Bass head amp combined with 1935A cabinet, tailored into Marshall style
drive-oriented sound.
SUPER BASS
B3 TRACE
Simulation of TRACE ELLIOT head amp AH-500 combined with two cabinets (1048H & 1518), producing the
typical midrange character of British rock.
TRACE ELLIOT
B4 BASSMAN
Simulates the Fender Bassman 100 also used by Paul McCartney. Enjoy that special Beatles sound with
Rickenbacker and Hofner violin basses.
BASSMAN
B5 ACOUSTIC Simulation of ACOUSTIC 360 head amp combined with 301 cabinet, characterized by a tight midrange. ACOUSTIC
B6 SWR
SWR sound modeled on a SM-900 head amp combined with the Goliath cabinet. Rich low range and clear highs are
bound to impress.
SWR
B7 TUBE Simulates a high-class tube preamplifier such as used in recording studios. The fat and supple sound fits every genre. TUBE PRE
B8 SANSAMP Simulates the lightly distorted sound of the SANSAMP BASSDRIVER DI, beloved by many bass players. SANSAMP
B9
TUBE
SCREAMER Simulation of the Tube Screamer used by many guitarists as a booster. Get that cool overdrive sound, whether
picking or fingering.
TS9
C0 MXR
Simulates the MXR BASS D.I. + distortion channel. A gutsy low end plus the right amount of original sound creates
distortion with a solid core.
MXR BASS D.I.+
C1 ODB
Simulates the ODB-3 overdrive bass machine from Boss. Proper mixing of original sound gives fat overdrive
without losing bass response.
ODB-3
C2 FUZZ FACE
Simulates the Fuzz Face famous for its unique look. Wildly distorted fuzz sound is great for those aggressive bass
lines.
FUZZ FACE
ARTIST
C3 Slang
Chorus sound often used by Jaco Pastorius in the late seventies. Lets you play his "Slang" loop solos with hold
delay. CHORUS &
ACOUSTIC
C4 Slapstick
Rock style sound as personified by Flea of the Red Hot Chili Peppers. Use a Stingray or Modulus bass and whip up
some slap bass action.
AMPEG
C5 BootSea Bootsy Collins sound using auto wah. Dress up in a fancy costume, wear star-shaped sunglasses, and let it rip! AUTO WAH & PITCH
C6 Mo'Soul Motown sound made famous by James Jamerson. Sixties Motown comes alive again. TUBE PRE
C7 Miller's Crossing Marcus Miller type slap sound. Typically deep SWR bass sound is complemented by glossy highs. SWR
C8 Leadist
Simulation of distortion sound suitable for Tony Levin style lead play. Connect an expression pedal and turn pedal
wah on to create highly effective wah sound.
SUPER BASS
C9 In Your Fingers
Emulate the midrange-oriented fingering work of artists such as Me'Shell Ndegeocello or Jeff Berlin. Styled as a
tube preamplifier sound.
TUBE PRE
D0
Groovin' With
Vinny Designed to sound like Sting when he was playing with The Police. Fairly traditional approach covers a wide variety
of genres.
TUBE PRE
D1 Little Muddy Blues sound from the days of Muddy Waters. The range is low-fi, but the impact is powerful. SANSAMP
VARIATION
D2
STEP SYNTH
DELAY
Collaboration of synth and step may surprise at first, but will show its potential when played with long tones. MONO SYN & STEP
D3 PHASER SLAP Phaser sound lets you embellish your slap playing with modulation effects. PHASER
D4 Sublime
Sub bass sound such as used for Techno, Electronica, and Drum'n Bass. Experience a sine wave so low it seems to
hug the ground. MONO SYN &
PHASER
D5 A Major Harmony Harmonized pitch shifter sound in an A major key. Good for bass solos.
HARMONIZED
PITCH SHIFTER
D6
Dark Side/
Octave Combination patch of fuzz and octaver. Heavy sound lets you lay down the rhythm with wild picking or play a
strong lead. FUZZ FACE &
OCTAVE
D7 Tremolo Enchanting tremolo sound with reverb creates a dreamy backdrop or enhances a moody solo. TREMOLO
D8 ManTap Stereo chorus and delay in the style of Michael Manring. Control hold delay with a foot switch to play loop solos.
PINGPONG-DELAY
& HALL
D9 Les Thumbs
Modeled on the typical slap style of Primus frontman Les Claypool, this sound combines TS9 and resonance filter.
Use it to create your very own style. AUTO RESONANCE
FILTER
B2 Patch List
• The preset area of banks 0 - 3 contains the same patches as A - d.
• The ZNR value may need to be adjusted depending on the bass guitar and
amplifier.
• In play mode, parameter knob 1 can be used to adjust the CABINET parameter of
the DRIVE/SYNTH module. Higher values result in stronger cabinet character.
• When using a bass amplifier, selecting the flat EQ setting is recommended.
Manufacturer names and product names mentioned
in this patch list are trademarks or registered
trademarks of their respective owners. These
names as well as artist's names are used only to
illustrate sonic characteristics and do not indicate
any affiliation with ZOOM CORPORATION.
B2 PATCHLIST 1.0