Levels, Reverb-3 algorithm – reverb page, Reverb – TC Electronic Broadcast 6000 User Manual
Page 32: Modulation

Reverb-3
28
System 6000 MKII Algorithms
Hi Cut Freq
Range: 500 Hz to flat
Hi Cut filter, shelving type. Provides an over-
all Reverb high frequency roll-off (6 dB per oc-
tave) that is suitable for making the space sound
warmer.
Hi Cut Att
Range: -40 to 0.0 dB
The attenuation control sets the high frequency
roll determined by Hi Cut Freq.
Levels
In Level
Range: Off to 0.0 dB
Sets the level of the Input to the Reverb in 0.5 dB
steps.
Out Level
Range: Off to 0.0 dB
Sets the Output level of the Reverb in 0.5 dB
steps.
Reverb-3 algorithm – reverb page
Reverb-3 algorithm – reverb page
Reverb
Lo Decay
Range: 0.01 to 2.5 times
Relative Decay time multiplier for low frequen-
cies.
Example: If the x Lo parameter set to 1, the low
frequency area, specified by the Lo Xover pa-
rameter, will remain unchanged. If set higher
than 1, the Decay time for that frequency area
will be increased. If set lower than 1 the Decay
time will be decreased.
Lo Xover
Range: 20 Hz to 4.00 kHz
Sets the crossover frequency for the x Lo De-
cay time multiplier in 1/3-octave steps. If Lo-Mid
Xover is set higher than Mid Xover the Mid Xover
frequency will automatically be adjusted upward.
Mid Decay
Range: 0.01 to 2.5 times
Relative Decay time multiplier for the low-mid
frequencies.
Mid Xover
Range: 200 Hz to 6.30 KHz
Sets the crossover frequency for the Decay xLo-
Mid Decay time multiplier in 1/3 octave steps. If
set lower than
Lo Xover, then Lo Xover will change downward.
Hi Decay
Range: 0.01 to 2.0 times
Relative Decay time multiplier for the high fre-
quencies.
Hi Xover
Range: 2.00 kHz to flat
Sets the crossover frequency for the x Hi Decay
time multiplier in 1/3-octave steps.
Modulation
Rate
Range: 1 to 200
The Modulation Rate varies the rate of modula-
tion of the recirculating delay paths simulating
the Reverb Tail. The control has no effect at a
“0” setting.
Adding modulation to the Reverb has the effect
of smoothing out the frequency response of the
Reverb, by effectively averaging out the room
resonances.