Onfiguration, Ezlie and, Everb – ALESIS QSR 64 User Manual

Page 98: Editing effects: chapter 7 qsr reference manual 10

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Editing Effects: Chapter 7

QSR Reference Manual

10

C

ONFIGURATION

#3: L

EZLIE AND

R

EVERB

LEZLIE

FX SEND 1

FX SEND 2

AUX LEFT

AUX RIGHT

MAIN LEFT

MAIN RIGHT

AUX LEFT

AUX RIGHT

MAIN LEFT

MAIN RIGHT

DELAY 1

1

REVERB

FX SEND 3

FX SEND 4

PITCH 2

DELAY 2

AMP

AMP

PITCH 3

DELAY 3

AMP

DELAY 4

AMP

1

2

1

2

1

2

1

2

BAL.

BAL.

BAL.

BAL.

BAL.

2

3

1

2

3

1

4

MIX

REVERB 1

REVERB 2

REVERB 3

REVERB 4

DELAY 1

DELAY 2

DELAY 3

DELAY 4

PITCH 1

PITCH 2

PITCH 3

BAL.

BAL.

Pitch 1

Delay 1

Reverb 1

Lezlie

Mono delay

Plate 1
Plate 2
Hall
Room
Hall
Large
Gate
Reverse

Pitch 2

Delay 2

Reverb 2

Mono chorus

Mono delay

Balance and level to Reverb 1

Stereo chorus

Stereo delay

Mono flange

Ping-pong delay

Stereo flange
Pitch detune
Resonator
Pitch 3

Delay 3

Reverb 3

Resonator

Mono delay

Balance and level to Reverb 1

Delay 4

Reverb 4

Mono delay

Mix and level to Reverb 1

This Configuration is similar to Configuration 1, except it provides a stereo “Lezlie”
effect on send 1, which emulates a rotating speaker effect commonly heard with
organ sounds. This is followed by a Delay effect before going to the single stereo
Reverb effect. Sends 2 and 3 have Pitch modules preceding Delay modules, which are
then routed to Reverb 1. Send 4 has only a Mono Delay effect, which may also be
routed to Reverb 1.

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