Nikon D3000 - Manual (Page 107)

89
t
❚❚Picture Control Settings
Option Description
Quick adjust
Choose from options between –2 and +2 to reduce or exaggerate the effect
of the selected Picture Control (note that this resets all manual adjustments).
For example, choosing positive values for Vivid makes pictures more vivid.
Not available with Neutral or Monochrome Picture Controls.
M
an
u
al
a
dju
st
ment
s
(al
l P
ic
tu
re
Co
ntr
ols
)
Sharpening
Control the sharpness of outlines. Select A to adjust sharpening
automatically according to the type of scene, or choose from values between
0 (no sharpening) and 9 (the higher the value, the greater the sharpening).
Contrast
Select A to adjust contrast automatically according to the type of scene, or
choose from values between –3 and +3 (choose lower values to prevent
highlights in portrait subjects from being “washed out” in direct sunlight,
higher values to preserve detail in misty landscapes and other low-contrast
subjects). Not available when Active D-Lighting (
0 64) is on; reset if Active
D-Lighting is activated after value is changed.
Manu
al
adjus
tme
nt
s
(no
n-
mono
chr
ome o
n
ly
)
Saturation
Control the vividness of colors. Select A to adjust saturation automatically
according to the type of scene, or choose from values between –3 and +3
(lower values reduce saturation and higher values increase it).
Hue
Choose negative values (to a minimum of –3) to make reds more purple,
blues more green, and greens more yellow, positive values (up to +3) to
make reds more orange, greens more blue, and blues more purple.
Manual adjustments (m
on
oc
hrome
on
ly
)
Filter
effects Simulate the effect of color filters on monochrome photographs. Choose
from Off (the default setting), yellow, orange, red, and green (
0 90).
Toning
Choose the tint used in monochrome photographs from B&W (black-and-
white), Sepia, Cyanotype (blue-tinted monochrome), Red, Yellow, Green,
Blue Green, Blue, Purple Blue, Red Purple (
0 90).
D
“A” (Auto)
Results for auto contrast and saturation vary with exposure and the position of the subject in
the frame.