The fx500: what it is and what it does, Effects, Memory configuration – Yamaha FX500 User Manual

Page 5: Midi controi, Midi-control

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2. The FX500: What It Is and What It Does

Effects

The FX500 SIMUL-EFFECT PROCESSOR is a high-
performance digital signal processor intended for use with
electric guitars, electronic keyboards or other instruments.

It employs leading-edge Yamaha digital signal processing

technology to provide a "chain’ of up to six independent

effects thar;an be independently controlled to produce

precisely the required overall sound. As shown below, the

FX500 includes five effect (compressor, distortion,
equalizer, modulation and reverb) stages. Stages can be

turned on or off as required, and the order of the

modulation and reverb stages can be reversed. The

compressor, distortion and equalizer stages are basically

single-function processors. The modulation and reverb
stages each incorporate a number of separate effects

which can be selected and used as required. Several of

the reverb effects actually combine both delay and reverb,

effectively giving you a total of six effects in the chain I

Each effect has a number of parameters which can be

adjusted to tailor its sound to your specific musical needs.

COMPRESSOR It DISTORTION

MODULATION

•CHORUS

•FLANQER
• SYMPHONIC
• TREMOLO

REVERB

• REVERB

Hall, Room,

Vocal, Plate

• EARLY REF.

Hall, Random.
Reverse. Plate

•DELAY

• ECHO
• REVERBtDEUY

• REVERB-DEUY

• DELAY-REVERB

Memory Configuration

The FX500 has a total of 91 memory locations. Memory

locations 1 through 60 are ROM (Read Only Memory)

containing 60 pre-programmed effects that you can simply

select and use. Memory locations 61 through 90 are RAM

(Random Access Memory), and can be used to store

original effect programs that you create by editing the

presets. The 30 RAM memory locations (61 — 90)

originally contain a selected group of the preset programs.

The last memory location — memory location number 0 —

contains 'initialized data’that can be used as a basis for
creating your own original effects programs from scratch.

ROM MEMORY

RAM MEMORY

ROM MEMORY

1 —60

61 — 90

0

• Preset effect

• User-edited

• initial Data

programs

programs

Program

No.

Program Title

Prognm

life. :

Program Title

' 1

Broad Dist.

31 s

Clisp Chords

2.:.

Warm Strings

_ L3A-.‘.i Sharp Chops

Standard Jazz

'■.'S'is'i.i1 Tremolo

4- ■

Soft Echo

34 1 Sweet Flange

Power Pan

Chord-Clouds

6-■■■■■■■ Trad. Dist.

■■■■'36

Light Symphonic

7

Dark Dist.

.. :37

Clean Acoustic

'. 8

Ring Dist.

. 38.

Acoustic Solo

■ Q

Metal Overdrive

.

Lush Strings

10

Echo Dist.

40“

Soft Focus

It

Tight Dist.

41

Brass Room

12

Blue Dist.

42

Brass Burst

13

Fuzz

• t"’.'43'iO

Trumpet Flange

Slap Dist.

Brass Energizer

V.;i.>!l5af. ■ Power Leads

■wRS-f-'

Echo Rhythm

16 , Chasing Leads

Symphonic Hall

■ 17

Power Stack

Horror House

.. IB

Symphonic Dist.

.48

Sitar

...... .19.,,

Turbo Drive

49

Staccato Vibe

■..20.;;

Chasing Rhythm

‘ ,.6P

Sweep Gate

■. ZV

Stereo Dist.

Monk Akkal

22 ■

Fusion Dist.

■ 52 ■

Straight Bass

■’•■2S

Boogie Room

' 53

Slap Bass

Buzz Backer

Fredess Bass

’ 25

Liquid Dist.

55 1 Trad. Bass

26

Electric Chords

56 « Sax Solo

27

Clean Repeat

57 I

Vocal Reverb

28

Sweet Swirl

56 ■

Drum Gate'/Rev

29

Mild Motion

59

Tight Snare

30

Pearly Chords

.60.

Rock Drums

61-90’

User Programs

0 1 Initial Data

MiDi Controi

For further versatility and smooth integration with MIDI-
based music systems, the FX500 offers broad MIDI control

capabilities. Any of its 90 memory locations may be

directly selected from a remote MIDI device such as a

keyboard or MIDI foot controller *. It is also possible to

directly control up to two different effect parameters

simultaneously in real time. This means that two MIDI

controllers (a MODULATION WHEEL and DATA ENTRY

slider on a keyboard, for example) could be used to

control, say, the modulation depth of the flanger effects

and the reverb time of a reverb effect in real time as you

playl Any two MIDI controllers can be assigned to any two

effect parameters (See ’MIDI Parameter Control: Control

Change 1 Table Edit and Control Change 2 Table Edit’ on

page 20 for operational details).

* Extensive MIDI control is also possible with the MFC1

MIDI Foot Controller. Consult the MFC1 operation

Manual for details.

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