How to avoid hand movement, Fluorescent lighting, Infrared light – Casio QV-200. User Manual

Page 6: Shooting images outdoors, Changing the lens orientation, Normal/macro switch, Resolution modes

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21

Recording Images

Caution

• Never open the battery compartment cover, disconnect the

AC adaptor from the camera or unplug it from the wall
socket while the “WAIT” message is on the LCD. Doing so
will not only make storage of the current image impossible, it
can also corrupt other image data already stored in camera
memory.

How to avoid hand movement…

Any hand movement when you press the shutter button can causes
blurring of the recorded image. Note the following points on avoiding
hand movement.

• Make sure there is no excessive movement of the image of the ob-

ject on the LCD.

• Use a tripod whenever possible when recording images in dim light-

ing. The camera automatically adjusts shutter speed in accordance
with the brightness of the object whose image is being recorded.
Shutter speed is quite slow for dimly lit objects, increasing the pos-
sibility of blurring caused by hand movement.

Fluorescent Lighting

Fluorescent lighting actually flickers at a frequency that cannot be
detected by the human eye. When using the camera indoors under
such lighting, you may experience some brightness or color problems
with recorded images. The actual extent of the problems depends on
what cycle of the fluorescent light’s flicker is occurring when the cam-
era’s shutter actually releases. For best results, use a commercially
available video lights.

Operation

22

Infrared Light

Infrared light generated by a flash or other source can create image
color problems, such as red areas being recorded as green. Such
color problems will show up in the LCD while you are composing the
image.

Shooting Images Outdoors

Strong direct or reflected sunlight can cause recorded images to take
on a greenish tinge. This is due to the characteristics of the camera’s
charge-coupled device (CCD), and it does not indicate malfunction of
the camera. One way you can try to minimize this problem is to set
the aperture to [

] (F8).

Changing the Lens Orientation

The lens of the camera is built into a lens body that is designed to
rotate. This means you can change the angle of the lens without mov-
ing the rest of the camera.

Rotates up to 90

°

towards the front

Rotates up to 180

°

towards the back

23

Recording Images

DEL

MODE

DISP

EFFEC

T

PROTE

CT

ON/O

FF

POW

ER

REC

PLAY

• Any images recorded while the lens body is rotated so the lens is

pointed from the back of the camera are stored as mirror images of
the image that appears in the LCD before the shutter button is
pressed.

A

A

A

A

A

B

B

B

B

B

Important!

• Do not apply excessive force when rotating the lens body. Doing so

can cause serious damage to the lens.

• Do not carry the camera or move it around while holding onto only

the lens body.

• Return the lens body to its normal position (with the lens pointing

from the front of the camera) before storing the camera.

A

A

A

A

A

LCD when shutter button is

pressed (in the Record Mode)

B

B

B

B

B

LCD when image is played

back from camera memory

.......

.......

Operation

24

NORMAL/MACRO Switch

The NORMAL/MACRO switch tells the camera
how much distance there will be between the
lens and the object whose image you are record-
ing. The following table describes the conditions
covered by each switch setting.

Switch position

Aperture F2 (

)

F8 (

)

(MACRO)

12 to 14 cm
(4.7” ~ 5.5”)

For close ups taken

indoors

9 to 23 cm

(3.5” ~ 9”)

For outdoor close-ups

(NORMAL)

0.6 meters to

(2’ ~

)

For portraits taken

indoors

0.24 meters to

(9.4” ~

)

For general outdoor

images

* See page 26 for details on how to change the aperture.

Resolution Modes

In addition to a Normal Mode, this camera also has a Fine Mode for
saving images using higher resolution. Use the MODE button to
switch between the Normal Mode and Fine Mode.

The following table shows how many images can be stored in
memory using each resolution mode.

Resolution

Mode

FINE

NORMAL

Indicator

Number of Images

64 (approximately 480-kbit com-

pressed)

192 (approximately 160-kbit com-

pressed)

• You can switch between resolution modes at any time before re-

cording an image.

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