Line 6 POD X3 Family User Manual

Page 47

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Reference: Configuration & Setup

4•3

Highs – when Combo Front or Stack Front are chosen for Mode, this control appears to let you lower

the overall treble output of POD X3, POD X3 Live or POD X3 Pro.

Tone 1 – allows you to either turn On or Mute Tone 1, independent of the settings of the Studio/Direct

Mix that drive the XLR and other outputs.

Pan – sets the location of Tone 1 in the stereo field, independent of the settings of the Studio/Direct Mix

that drive the XLR and other outputs.

Tone 2 – allows you to turn On or Mute Tone 2, independent of the settings of the Studio/Direct Mix

that drive the XLR and other outputs.

Pan – sets the location of Tone 2 in the stereo field, independent of the settings of the Studio/Direct Mix

that drive the XLR and other outputs.

Outputs Page 2: Studio/Direct Mix

DIGITAL

STUDIO/DIRECT MIX

TONE 1

TONE 2

PAN

PAN

ON

ON

MATCH

STUDIO/

DIRECT 48kHz

+12dB

RA TE

LE VEL FORMAT

S/PDIF

This mix provides POD’s legendary direct recording sound, ideal for connecting direct to a mixer,

recorder, PA, or headphones for “Studio Mode” sound.
The headphone and USB 1-2 outputs always get this mix.

For POD X3 Live and POD X3 Pro, this also always feeds the XLR Direct Outs.

The 1/4-inch outputs can get this mix, too, when desired. (See next page.)


Tone 1 – allows you to either turn On or Mute Tone 1.

Pan – sets the location of Tone 1 in the stereo field.

Tone 2 – allows you to turn On or Mute Tone 2.

Pan – sets the location of Tone 2 in the stereo field.

Digital – sets the signal for the digital output. There are four options:

Match Studio/Direct – Digital outputs the Tone and Pan settings as shown.

Studio/Direct Tone 1 – Digital outputs Tone 1 only, panned center.

Studio/Direct Tone 2 – Digital outputs Tone 2 only, panned center.

Dry Inputs – Digital Left outputs the unprocessed input(s) to Tone 1, and Digital Right outputs the

unprocessed input(s) to Tone 2.

Rate – affects the digital output only, setting the S/PDIF or AES/EBU signal’s sample rate to 44.1, 48,

88.2, 96 kHz or Match Digital In.

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