Example for “c” chords – Yamaha PSR-510 User Manual

Page 27

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Major [M] ................................................................... 1 - 3 - 5
Major sixth [M6] .................................................... 1 - 3 - 5 - 6
Major seventh [M7] ........................................... 1 - 3 - (5) - 7
Major seventh sharp eleventh [M7

#

11] .. 1 - (2) - 3 -

#

4 - (5) - 7

Major add ninth [Madd9] ...................................... 1 - 2 - 3 - 5
Major ninth [M9] ........................................... 1 - 2 - 3 - (5) - 7
Major sixth add ninth [6 9] ............................ 1 - 2 - 3 - (5) - 6
Augmented [aug] ..................................................... 1 - 3 -

#

5

Minor [m] ................................................................. 1 -

b

3 - 5

Minor sixth [m6] .................................................. 1 -

b

3 - 5 - 6

Minor seventh [m7] ........................................ 1 -

b

3 - (5) -

b

7

Minor seventh flatted fifth [m7

b

5] ................... 1 -

b

3 -

b

5 -

b

7

Minor add ninth [madd9] .................................... 1 - 2 -

b

3 - 5

Minor ninth [m9] ........................................ 1 - 2 -

b

3 - (5) -

b

7

Minor eleventh [m11] ........................ 1 - (2) -

b

3 - 4 - 5 - (

b

7)

Minor major seventh [mM7] ............................. 1 -

b

3 - (5) - 7

Minor major ninth [mM9] ............................ 1 - 2 -

b

3 - (5) - 7

Diminished [dim] .................................................... 1 -

b

3 -

b

5

Diminished seventh [dim7] ............................... 1 -

b

3 -

b

5 - 6

Seventh [7] ....................................................... 1 - 3 - (5) -

b

7

Seventh suspended fourth [7sus4] .................... 1 - 4 - 5 -

b

7

Seventh ninth [7 9] ..................................... 1 - 2 - 3 - (5) -

b

7

Seventh sharp eleventh [7

#

11] ......... 1 - (2) - 3 -

#

4 - (5) -

b

7

Seventh thirteenth [7 13] ............................ 1 - 3 - (5) - 6 -

b

7

or 2 - 3 - 5 - 6 -

b

7

Seventh flatted ninth [7

b

9] ........................ 1 -

b

2 - 3 - (5) -

b

7

Seventh flatted thirteenth [7

b

13] ................ 1 - 3 - 5 -

b

6 -

b

7

Seventh sharp ninth [7

#

9] ...................... (1) -

#

2 - 3 - (5) -

b

7

Major seventh augmented [M7aug] ................... 1 - 3 -

#

5 - 7

Seventh augmented [7aug] ............................ (1) - 3 -

#

5 -

b

7

Suspended fourth [sus4] ........................................... 1 - 4 - 5
One plus two plus five [1+2+5] .................................. 1 - 2 - 5

The Chord 1 mode is ideal if you already know how to play chords on a

keyboard, since it allows you to supply your own chords for the Auto Ac-
companiment feature.

The PSR-510 will accept the following chord types:

Mode 1: Chord 1

Csus

Cm add

9

CM

CM

6

Cm

7

C

CMadd

C

Caug

CM

9

Cm

11

Cm

Cm

( )

( )

( )

( )

CmM

9

CmM

7

C

C

Cdim

7

C sus

4

Cdim

C

( )

( )

7

7

CM

#

11

( )

9

( )

9

6

Cm

6

Cm

b

5

7

9

7

( )

( )

7

9

7

( )

C

#

11

7

C

13

7

( )

C

b

9

7

( )

C

b

13

7

C

#

9

7

( )

CM aug

7

C aug

7

4

1+2+5

( )

( )

( )

( )

( )

( )

NOTES

• Notes in parentheses can be omitted.

• A perfect fifth produces accompaniment based only on the

root and fifth which can be used with many major and minor
chords.

• An octave produces accompaniment based only on the

root.

• If three adjacent keys are played simultaneously (white and

black keys), chord accompaniment will be cancelled and
only the rhythm accompaniment will sound. (Chord 1/Chord
2 mode)

• The chord fingerings listed are all in “root position”, but

other inversions can be used — with the following excep-
tions:

* M6 chords are only recognized in root position. All other

inversions are interpreted as m7.

* 6 9 chords are only recognized in root position. All other

inversions are interpreted as m11.

* m6 chords are only recognized in root position. All other

inversions are interpreted as m7

b

5.

* 1+2+5 chords are only recognized in root position. All

other inversions are interpreted as sus4.

* With aug and dim7 chords the lowest note played is as-

sumed to be the root.

* With 7

#

11 chords the lowest note played is assumed to be

the root or

b

7.

Example for “C” chords

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