Audio inputs, Analog audio inputs, Digital audio inputs – Sound Devices PIX 220i User Manual

Page 21: Analog audio inputs digital audio inputs, See “audio, Audio in puts

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Audio Inputs

The PIX recorders accept either two analog audio inputs on XLR connectors or two channels of

embedded audio on the HDMI input. The PIX 240i also accepts up to 8 channels of embedded audio

on the SDI input and the analog XLR inputs can be switched to accept four channels (two streams) of

AES/EBU digital audio.

Analog Audio Inputs

PIX recorders have two high-performance analog audio inputs. These balanced inputs accept either

mic- or line-level signals, and include high-pass filters, limiters, 48V phantom power, linking, and

M/S matrixing.

Input Low-cut Filters

Setup Menu options: Audio

Analog 1 Low cut

and Audio

Analog 2 Low cut

.

Low-cut filters on analog inputs reduce sensitivity to low frequency signals (such as wind noise

from a microphone). Signals below the selected frequency are attenuated. The amount of attenuation

increases at lower frequencies according to the slope of the low-cut filter. The Setup Menu option

Audio

Low cut Slope

allows adjustment of the slope for both analog inputs.

Input Limiters

Setup Menu option: Audio

Input Limiter (1,2)

.

Analog inputs incorporate an advanced, analog/DSP-controlled hybrid limiter to prevent input over-

load. In normal operation and with proper gain settings, the limiters should rarely engage. When

activated, limiters prevent unusually high input signal levels from overloading the analog input

stage of the preamp.
Limiting activity is indicated by a yellow segment on the audio meters (both in the Audio View and

the Main View). When the yellow segment is visible, limiting is occurring. The Input Limiters are ac-

tive for both mic- and line-level inputs. When inputs are linked, the limiters are linked.

Input Polarity

Setup Menu options: Audio

Analog 1 Polarity

and Audio

Analog 2 Polarity

.

Input Polarity inversion (sometimes referred as phase reverse) can be applied to either analog input.

This can be used to rectify incorrectly wired balanced cables, to prevent signal cancellation when a

source is dual-miked from opposite directions, or reverse left/right with MS microphone configura-

tions.

Digital Audio Inputs

The PIX 220i and PIX 240i accept digital audio from HDMI. Additionally, the PIX 240i accepts digital

audio input over SDI and AES/EBU inputs. All audio is sampled at 48 kHz.

HDMI / SDI Embedded Audio

The PIX 220i and PIX 240i accept two channels of embedded digital audio on the HDMI Video Input.

The PIX 240i accepts up to 8 channels of digital audio on its SDI input.

AES3

The PIX 240i accepts AES3 (AES/EBU) digital signals with sampling rates from 32 kHz up to 192 kHz

and bit depths up to 24-bits. Files recorded by the PIX 240i are uncompressed 24 bit, with sampling

A

udio In

puts

PIX 220i and PIX 240i Video Recorder User Guide

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