Input setup and control, Input source selection, Analog inputs 1 and 2 – Sound Devices 744T User Manual

Page 18: Input source selection analog inputs 1 and 2

Advertising
background image

744T User Guide and Technical Information

12

v. 2.67

Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.

Input Setup and Control

The 744T has four inputs and four record tracks. Inputs can be analog or digital sources. Analog

inputs 1 and 2 use XLR connectors; inputs 3 and 4 use TA3 connections. Digital inputs can be either

AES3 (balanced at the XLR) or AES3id (on BNC) inputs.

One analog pair and one digital pair can be used simultaneously.

Input Source Selection

Input sources are selected in pairs, 1, 2 and 3, 4. Each input pair (1, 2 and 3, 4) accepts analog or

digital audio. The input signal type is selected using slide switch above the XLR input connector. The

setup menu has additional input control.

Manually selecting the audio source is used to force the inputs to analog while using an AES3 or

AES3id input to lock the 744T to an external sampling rate.

Digital sources connected to AES3id BNC inputs override analog signals on the correspond-

ing XLR input. The BNC input signal type is set in the menu settings

INPUT 1,2: SOURCE and

INPUT 3,4:SOURCE. For most situations the appropriate setting is auto select—the 744T will choose

the input type based on signal present.

The 744T is capable of off-speed sampling rates when clocked from either external digital inputs or

the word clock input.

Input sources can be set to “disabled (power save)”. This option shuts down all circuitry associ-

ated with an input pair to reduce power draw and extend battery runtime. When an input pair is

disabled, the digital input LEDs associated with the pair will slowly flash. In playback-only applica-

tions, both input pairs can be shut down to maximize power-efficiency and battery runtime.

Analog Inputs 1 and 2

Analog inputs 1 and 2, on XLR connectors, are the primary connections into the recorder. These

inputs accept balanced or unbalanced mic- or line-level inputs. When at mic-level, gain is controlled

by the front panel potentiometers. Gain for the line level inputs can be controlled by the front panel

potentiometers or menu settings. Line input gain is controlled in 0.1 dB steps.

A digital input present on the BNC inputs will override an analog signal present on the XLR inputs un-
less the input source is set to analog in the setup menu.

In the setup menu, the following functions can be controlled for analog inputs 1 and 2:

Phantom Power

Phantom power (48 volts) can be activated for inputs 1 and 2. When active, phantom is indicated by

front panel LEDs (

).

Phantom power is available for both mic- and line-level inputs. Using line-level inputs with microphones
is useful in high SPL environments such as concert recording. Make certain to turn off phantom power
with line level output devices susceptible to damage from DC.

Advertising