Specifications – Yamaha SPX90 II User Manual

Page 24

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SPECIFICATIONS

INPUT

Number of Channels
Nominal Level
Impedance
Level Control
Level Monitor

Unbalanced x 1 (Phone Jack)
-20 dBm/+4 dBm, Selectable
lOk-ohms

Volume, Max. Gain +12 dB
7 points LED

A/D CONVERSION

Number of Channels

1

Sampling Freq.

31.25 kHz

Quantization

Linear 16 Bit

Band Width"

20 Hz to 12 kHz

D/A CONVERSION

Number of Channels

2

Sampling Freq.

31.25 kHz

Quantization

Linear 16 Bit

Band Width

20 Hz to 12 kHz

OUTPUT

Number of Channels

Unbalanced x 2 (Phono Jack)

Nominal Level

-20 dBm/+4 dBm, Selectable

Impedance

600 ohms

Mixing

Direct Signal, Effect Signal

Bypass

ON/OFF

MEMORY

Presets (ROM)

1 ~30

User Memory (RAM)

31 ~90 (Non Volatile)
All parameters except Input Level can
be memorized

MIDI CONTROL

MIDI Channel (1 to 16, OMNI), (4
banks), Program Number (1 to 128)
Note on/off is recognized only for

program 18~21 , 24~26, 28, 29.

FRONT PANEL

Display

16 character 2 lines LCD x 1,2 digits
numeric LED for Memory No.,
7 points level meter LED

Knob

Input Level Volume

Keys

Parameter/Balance/Data Increment/
Data Decrement, Memory Store/
Recall/Memory number
Increment/Memory number Decre­

ment, Utility/Foot Trigger/ Bypass

ELECTRICAL CHARACTERISTICS

Dynamic Range

Distortion

Band Width

Reverb: more than 75 dB
Delay : more than 81 dB
Bypassed Signal: less than

0

.

01

%

Effect Signal : less than

0.03%

Bypassed signal: 20 Hz to 20

kHz

Effect Signal : 20 Hz to 12

kHz

PQWER SUPPLY

U.S. & Canadian Modeis
General Model

110V-120V, 60Hz
220V-240V, 50/60HZ

POWER CONSUMPTION

U.S. & Canadian Models
General Model

20W
20W

DIMENSIONS
(W

X

H

X

D )

480mm x 45.2mm x 285mm

(18-7/8"

X

1-3/4"

X

11-1/4")

WEIGHT

3.2 kg (7 lbs)

OPTIONAL REMOTE CONTROL
(model RC7)

PRESET PROGRAM 1 ~
MEMORY 31 ~37

-30, USER

OPTIONAL MIDI FOOT CONTROLLER (model MFC1)

Memory Mode

4 + 4 PGM change numbers

Chain Mode

20 Step x 4 PGM change, control
change data, MIDI start, stop, con­
tinue commands

*

*

NOTE: Since natural sounding reverberation is mixed with the direct

sound, and hence does not constitute 100% of the sound, the effective
dynamic range wiii nearly always exceed 90 dB.

23

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