Word about the amplifier envelope – Studio Electronics Boomstar User Manual

Page 20

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16

Studio Electronics Boomstar Quick Start Manual

Panels

initial rise and fall of the attack and decay times to the sustain level, the release time takes effect after the sustain

level segment, when the played key or note is lifted. The frequency at which the sustain level is set, falls to the initial

filter cutoff frequency level at the rate set by the release time.

5.2.8 ENV 2 - Envelope 2

A

word about the Amplifier Envelope:

The volume of the audio signal, which passes through the VCA envelope, is contoured by the

ENV 2

controls. Each

time a key is pressed, the envelope or contour generator attached to the amplifier is actuated, and sends a control

signal to the amplifier. Like the filter envelope control signal, the VCA envelope control signal is composed of the

same four segments: initial rise, decay, sustain level, and release time. The volume of the note is shaped according

to the settings of the envelope controls. These four parameters are shown below.

The

ATTACK

knob sets the attack time. The attack time determines the duration of the initial rise in volume to a peak.

Notice the sound take on different qualities as you increase from a short sharp attack to a long slow crescendo.

Switching INVERT on reverses the behaviour of the normal ADSR envelope... Wait this sound familiar: ENV 2’s invert

functions is an exact clone (what used to be called a carbon copy) of ENV 1’s. The LFO TRIG (Low Frequency Oscillator

Trigger) switch selection, triggers the “gate” of ENV 2: the amplifier envelope.

The

DECAY

knob sets the decay time. The decay time determines the duration of the drop in volume from the initial

peak to the sustain level. Shorter decay times will produce more percussive/snappy sounds, longer times open up

and stretch out the sound. Switching SINGLE TRIG (single trigger) on allows for the continuation of the decay cycle

through a legato, or multi-note phrase. Switching MULTI TRIG (multiple trigger) on forces the attack and decay cycle of

both

ENV 1

and

ENV 2

to restart with every key press, or note on command.

The

SUSTAIN

knob sets the sustain level. The sustain level determines the volume level at which the envelope contour

levels off after the attack and decay. Set at “0,” no sustain level is heard. Set at “5,” the contour diminishes to a low

volume. Set at “10,” no drop in volume is heard after the initial peak is reached. With

DRONE

on, the last note received

by the Boomstar—MIDI or CV—is indefinitely sustained. The

MASTER

switch setting makes

ENV 2

modulate both the

filter and the amplifier.

ENV 1

’s controls are still active in that they can still modulate the frequency of Oscillator 2

and the pulse width of Oscillator 1. To restate for clarity’s sake:

ENV 2

’s knobs assume the Boomstar’s Attack, Decay,

Sustain, and Release values for both filter and amplifier: a tidy and retro sound styling that brings to mind certain

beloved analog keyboards from the ‘80s.

The

RELEASE

knob sets the release time. The release allows the sound to fade out at the time set, rather than

immediately upon release of a note or key. This “final decay” takes effect after the sustain level segment of the

envelope and “does work” after the playing, triggering, or sequencing is done.

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