Panel descriptions – Roland Aerophone AE-20 Digital Wind Instrument User Manual

Page 4

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02

Panel Descriptions

7

6

Attach the

band to this

position.

3

8

9

11

12

13

14

15

16

20

22

A

23
24

25

B

D

2

1

4

5

19

18

Attach the water

basin to this

position.

C

21

10

Attach the thumb

hook cover to this

position.

17

1

Mouthpiece Cap

Protects the mouthpiece. When you’re not playing, leave the
mouthpiece cap attached. Press it on until you hear it click into place.

* When removing or attaching the mouthpiece cap, take care not to

touch the reed.

2

Mouthpiece

A dedicated mouthpiece for the Aerophone that is constructed as a
single unit with the reed.

Ø

“Embouchure” (p. 6)

* When attaching the mouthpiece, take care not to pinch your finger

between the movable part and the body of the instrument.

3

Band

Prevents saliva from reaching the unit during performance,
and entering the interior from around the buttons, switches, or
performance keys.

4

Performance keys

These keys are used for performance. They allow performance using
the same fingering as a saxophone. Some keys, such as the side keys,
allow you to assign various functions or parameters.

Ø

“Pressing the Performance Keys” (p. 6)

Ø

“Fingering Chart” (at end of manual)

5

[S1] / [S2] button

You can assign a variety of functions or parameters to these buttons.

Ø

“Parameter Guide” (PDF)

6

Octave keys

These buttons switch octaves. You can assign them to switch ±2 or
±3 octaves, or to sax compatible mode. Operate them using the left-
hand thumb.

Ø

“Parameter Guide” (PDF)

7

Thumb rest

Place your left thumb here.

Ø

“Holding the AE-20 (Your Posture When Holding the

Instrument)” (p. 6)

8

Display

This indicates the scene (sound) name and various parameters.

* The display of this unit automatically turns off when a certain length of

time has elapsed since the unit was last operated.

Ø

“Setting the Time for the Display to Turn Off (Display Off

Time)” (p. 15)

9

[SCENE] (

а

/

б

) buttons

Use these buttons to select scenes (sounds).

Ø

“Playing the Internal Sounds” (p. 9)

4

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