KORG OASYS musical instruments - Manual (Page 45)

Setup Connections
37
Setup
Connections
Connections must be made with the power turned
off. Please be aware that careless operation may
damage your speaker system or cause malfunctions.
1. Connecting the power cable
1. Turn off the power of the OASYS.
2. First connect the included power cable to the
OASYS’ rear panel AC power inlet.
If your power cable uses a separate ground wire,
you must connect this ground wire before inserting
the plug into the AC outlet. When disconnecting,
you must first disconnect the plug before you
disconnect the ground wire. If you are unsure of
how to make connections, please contact Korg
customer service.
Make sure that your AC outlet is the correct voltage
for your instrument.
2. Analog audio output connections
Here’s how to connect the OASYS to your analog amp
or mixer.
If you’ve connected a stereo audio amp, be aware
that playing at high volume may damage your
speaker system. Be careful not to raise the volume
excessively.
AC power supply
to an AC outlet
Power cable (Included)
Power switch
1. Connecting the power cable
PHONES
MIC 1
BAL
OR
UNBAL LINE IN 1 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
LINE IN 7-8
L
R BAL OR UNBAL
MONO
+4 -10 LEVEL LINE IN 9-10
L
R BAL OR UNBAL
MONO
+4 -10 LEVEL LINE IN 11-12
L
R BAL OR UNBAL
MONO
+4 -10 LEVEL LINE IN 13-14
L
R BAL OR UNBAL
MONO
+4 -10 LEVEL
STEREO AUX RETURNS 1
2
1
2
AUX SEND
LEFT(1/MONO) RIGHT ALL BAL/UNBAL
L
R
TAPE
INPUT TAPE OUTPUT MAIN OUTS L
R
BAL/UNBAL
PHONES
MICRO SERIES 1402-VLZ 14-CHANNEL MIC/LINE MIXER
MIC 2
BAL
OR
UNBAL LINE IN 2 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 3
BAL
OR
UNBAL LINE IN 3 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 4
BAL
OR
UNBAL LINE IN 4 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 5
BAL
OR
UNBAL LINE IN 5 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 6
BAL
OR
UNBAL LINE IN 6 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U +15 -15 PAN
SOLO
1 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U +15 -15 PAN
SOLO
2 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U +15 -15 PAN
SOLO
3 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
4 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
5 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
6 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
7–8 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U +12
-15
-12 U
+15 -15 PAN
SOLO
9–10 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
11–12 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
U
+15 U +15
AUX 1 MON/ EFX 2 EFX U +15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
13–14 MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
dB
10 5 U 5 10 20 30 40 50 60
dB
10 5 U 5 10 20 30 40 50 60
dB
10 5 U 5 10 20 30 40 50
U
+10
U
+20 U +20
1 2 AUX 1 MASTER PRE POST NORMALLED
AUX 1 SELECT EFX TO MONITOR AUX RETURNS SOURCE MAIN MIX LEFT RIGHT CLIP +28 +10 +7 +4 +2 0 -2 -4 -7 -10 -20 -30 0dB=0dBu RUDE SOLO LIGHT
ALT 3-4 TAPE
ASSIGN TO MAIN MIX NORMAL(AFL)
LEVEL SET(PFL) SOLO MODE PHANTOM POWER CONTROL ROOM / PHONES MAIN MIX
Mixer Powered
monitors,
etc.
INPUT
4 3 2 1 R L/MONO 8 - - -
INPUT
Monitor
OUTPUT
AUDIO OUTPUT
AUDIO INPUT
4 3 2 1
(INDIVIDUAL) (MAIN)
2. Analog audio output connections
4. Digital audio input/output connections
DAT, etc.
DIGITAL OUT
S/P DIF
OUT IN
CD-R/RW, hard disk,
removable disks etc.
USB cable
USB
6. USB device connections
Mic
Guitar
Effect unit
Synthesizer
If a passive type guitar (a guitar
without an internal preamp) is
connected, it will not be possible
to sample at an appropriate
level due to the impedance
mismatch. Such instruments must
be connected via a preamp or
effect unit.
If you are using a condenser
mic that requires phantom
power, turn the PHANTOM
POWER switch ON.
WARNING: Never connect an
unbalanced instrument,
device, or mic to the XLR jack
if phantom power is turned
on.
3. Analog audio input connections
DAMPER
PEDAL
SWITCH
ASSIGNABLE
5. Pedal connections etc. MIDI IN
MIDI
IN MIDI
OUT
MIDI OUT
MIDI cable
Computer
7. Connections to MIDI equipment/computers
Option EXB-DI
8. Installing options