KORG D8 - Manual (Page 71)

72
6. Effect Parameter List
Effect type name as displayed _ (Unabbreviated effect type name) _ Remark
Parameter name as displayed _ (Unabbreviated parameter name) _ Setting range _
Remark
4BEQ (4 Band Equalizer)
This is a equalizer that allows you to adjust the tone in four fre-
quency bands. Positive (+) settings will boost the gain, and nega-
tive (–) settings will cut it.
S.4BEQ (Stereo 4Band Equalizer)
This is a version of 4BEQ which allows 2-channel simultaneous
input/output. The parameters are the same as for 4BEQ.
AMP SIM (Amp Simulator)
This effect simulates the acoustical characteristics of a guitar amp.
Even if you are recording with a direct line, this effect will realisti-
cally simulate the sound of an actual guitar amp.
CAB RES (Cabinet Resonator)
This effect simulates the acoustical characteristics and resonances
of a guitar amp speaker cabinet. As with Amp Simulator, this is
ideal for use with direct line recording.
CH/FL (Chorus/Flanger)
This effect gives a sense of pitch movement and depth to the sound.
Adjusting the Delay Time will significantly change the effect.
S.CH/FL (Stereo Chorus/Flanger)
This is a version of CH/FL which allows simultaneous 2-channel
input. In addition to the parameters listed for CH/FL, the follow-
ing parameter can also be set.
CnCNL (Center Canceller)
When existing music (a stereo source) is input to this effect, sounds
which are panned to the center such as vocals or lead guitar will be
canceled. In addition, you can control the pitch.
COMP (Compressor/Limiter)
Limiter: An effect which evens out the volume of the input signal.
Compressor: An effect which compresses the input signal to make
it more consistent and give it more punch.
When the Ratio value is inf:1, this effect functions as a Limiter.
When the Radio value is other than inf:1, this effect functions as a
Compressor.
S.COMP (Stereo Compressor/Limiter)
This is a version of COMP which allows simultaneous 2-channel
input. The Link parameter allows you to specify the trigger by
which the effect will be applied.
DECIMA (Stereo Decimator)
This is a stereo effect which lowers the sampling frequency to cre-
ate the rough sound typical of a cheap sampler.
DEESSER (De-Esser)
This effect attenuates undesired sibilant sounds (“s” sounds).
DISTORT (Distortion)
This effect distorts the input signal.
S.DIST (Stereo Distortion)
This effect distorts the input signal. It allows 2 channels of simulta-
neous input.
DLY (Mono Delay)
This effect applies a time delay to the input sound.
LoG (Low Gain) –15...+15dB Low gain
LoF (Low Fc) 80...1.00k(Hz) Low cutoff frequency
LMG (LowMid Gain) –15...+15dB Low Mid gain
LMF (LowMid Fc) 80...16.0k(Hz) Low Mid center frequency
LMQ (LowMid Q) WIDE,0.6...9.9,NRRW Low Mid bandwidth
HMG (HiMid Gain) –15...+15dB High Mid gain
HMF (HiMid Fc) 80...16.0k(Hz) High Mid center frequency
HMQ (HiMid Q) WIDE,0.6...9.9,NRRW High Mid bandwidth
HiG (Hi Gain) –15...+15dB High gain
HiF (Hi Fc) 1.00k..16.0k(Hz) High cutoff frequency
TRM (Trim) –24...+6dB Input level
Type (AmpType) AMP1...5 Select the type of guitar amp
SIZE (Size) 0...50 Cabinet size
DEPTH (Depth) 0...50 Depth of the effect
SPD (Speed) 0.01...16.0(Hz) Modulation speed
DEPTH (Depth) 0...50 Modulation depth
DLY (Delay) 0.1...60ms Delay time
Fback (Feedback) –50...+50 Feedback amount
H.Damp (HighDamp) 0...50 High frequency attenuation of the
feedback
L.Damp (LowDamp) 0...50 Low frequency attenuation of the
feedback
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and direct sound
PHASE (Phase) 0...180 Relative phase difference between
channels
PITCH (Pitch) –12,...,–1,off,+1,...+12 Pitch shift amount in semitones
ADJ (Adjustment) L50...0...R50 Cancel position
THR (Threshold) –1 ... –40dB Level at which the effect will begin to
apply
RTO (Ratio) 1.0:1...inf:1 Compression ratio
ATK (Attack) FAST,1,...,49,SLOW Attack length
REL (Release) FAST,1,...,49,SLOW Release length
LVL (Level) 0...50 Effect level
THR (Threshold) –1 ... –40dB Level at which the effect will begin to
apply
RTO (Ratio) 1.0:1...inf:1 Compression ratio
ATK (Attack) FAST,1,...,49,SLOW Attack length
REL (Release) FAST,1,...,49,SLOW Release length
LVL (Level) 0...50 Effect level
LINK (Link) OFF,L,R,L+R Trigger channel
PreLPF (Pre LPF) 0...50 Low pass filter which reduces the
intermodular noise produced by low-
ering the sampling frequency
Fs (Sampling Fc) 1k...36kHz Sampling frequency
H.Damp (High Damp)
0...50 High frequency attenuation
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
SENS (Sens) 0...50 Sensitivity
Fc (Eq Freq.) 80...16.0k(Hz) Center frequency of the side band EQ
G (Eq Gain) –15...+15dB Gain of the side band EQ
Q (Eq Q) 0.5...10 Bandwidth of the side band EQ
TYPE (Type) OD,DIST,HI-G Drive type
DRIVE (Drive) 0...50 Distortion
TRE (Treble) –15...+15dB High frequency tone
LVL (Level) 0...50 Output level
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
DRIVE (Drive) 0...50 Distortion
TRE (Treble) –15...+15dB High frequency tone
LVL (Level) 0...50 Output level
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
T (Time) 1ms...1s Delay time
Fback (Feedback) 0...50 Feedback amount
H.Damp (HighDamp) 0...50 High frequency attenuation of the
feedback
L.Damp (LowDamp) 0...50 Low frequency attenuation of the
feedback
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound