KORG D8 - Manual (Page 75)

76
9. D8 Specifications
■ Specifications
< Recorder section >
Tracks : 8 tracks (50 songs
×
8 tracks)
: 8 tracks simultaneous playback,
2 tracks simultaneous recording,
6 tracks playback + 2 tracks recording
Recording format : 16 bit uncompressed, 44.1 kHz
Recording time : 34 minutes of 8 tracks recording
maximum (when using internal
1.4 Gbyte hard disk)
Maximum recording capacity
: Internal + 4 Gbyte × 7 drives
Songs : 50 songs (Auto Save function
makes save/load operation unnec-
essary when switching songs)
Locate points : 3 points per song
Mark points : 100 points per song
Metronome/Rhythm patterns
: 131 patterns
MIDI synchronization : Transmitted (MTC, MIDI Clock)
: Received (MMC)
: Tempo Map (10 events per song)
: Sync Track (1 track per song)
Editing : Track (Copy, Insert, Erase, Delete,
Swap) (Tracks can be copied
between songs.)
: Song (Copy, Move, Delete, Recover)
: Undo, Redo
Counter/Locator format : Min/Sec/mSec, Meas/Beat/Tick,
Min/Sec/Frame (30 NDF only)
< Mixer section >
Structure : 12 channel 4 bus mixer (left and
right master sends, internal effect
send, external AUX send), 1 master
stereo out
Signal processing : 24 bit, 44.1 kHz
Equalizer : High (10 kHz ±15 dB)
: Low (100 Hz ±15 dB)
Scene memory : 20 scenes per song
< Multi-effect section >
Structure : 1in-2out or 2in-2out or 1in-1out
×
2
Signal processing : 24 bit 44.1 kHz
Programs : 65 preset, 65 user
Chains : 38 types
Effects : 50 types
< General >
Display : 4” x .9” custom LCD
Power supply : AC 9 V AC/AC power supply
Power consumption : 16 W (AC 9 V 2.0 A max.)
Dimensions : 15.2” (W) × 9.8” (D ) × 3.3” (H)
Weight : 5.7 lbs.
■ Main formats
Frequency response : 10 Hz – 21 kHz ±1 dB
@+4 dBu, 10 k-ohm load
S/N : 92 dB or better @IHF-A
Total harmonic distortion : less than 0.03% 20 Hz – 20 kHz
@+16 dBu, 10 k-ohm load
A/D conversion : 18 bit linear, uncompressed
D/A conversion : 18 bit linear, uncompressed
Sampling frequency : 44.1 kHz
■ Analog/digital input/output formats
< LINE, MIC/GUITAR INPUT1 >
Connector : 1/4” TRS phone jack
(balanced) @LINE, MIC
(unbalanced) @GUITAR
Input impedance : 10 k-ohm @ LINE, MIC
1 M-ohm @GUITAR
Nominal level : –50 dBu @TRIM=max.
+4 dBu @TRIM=min.
Maximum level : –38 dBu @TRIM=max.
+16 dBu @TRIM=min.
Source impedance : 600 ohms
< LINE, MIC INPUT2 >
Connector : 1/4” TRS phone jack (balanced)
Input impedance : 10 k-ohms
Nominal level : –50 dBu @TRIM=max.
+4 dBu @TRIM=min.
Maximum level : –38 dBu @TRIM=max.
+16 dBu @TRIM=min.
Source impedance : 600 ohms
< AUX INPUTS L/R >
Connector : RCA phono jack
Input impedance : 10 k-ohms
Nominal level : –10 dBu
Maximum level : +2 dBu
Source impedance : 600 ohms
< MASTER OUTPUTS L/R >
Connector : RCA phono jack
Output impedance : 150 ohms
Nominal level : –10 dBu
Maximum level : +2 dBu
Load impedance : 10 k-ohms or greater
< AUX OUTPUT >
Connector : RCA phono jack
Output impedance : 150 ohms
Nominal level : –10 dBu
Maximum level : +2 dBu
Load impedance : 10 k-ohms or greater
< PHONES OUTPUT >
Connector : 1/4” stereo phone jack
Output impedance : 100 ohms
Maximum level : 50 mW @32 ohms
< DIGITAL INPUT/OUTPUT >
Connector : Optical
Format : S/P DIF (IEC958, EIAJ CP-1201)
< SCSI >
Connector : D-sub 25 pin female
< MIDI IN/OUT >
Connector : DIN 5 pin × 2
< FOOT SW >
Connector : 1/4” phone jack
(use an optional PS-1)
< AC 9V IN >
Connector : DIN 4 pin
■ Accessories
: AC/AC power supply
■ Options
: PS-1 pedal switch
Specifications and appearance are subject to change without notice for product improvement.