Replace recording (p. 117), Mix recording (p. 117), 117 chapter 6 creating and editing songs – Roland KF-7 User Manual

Page 117

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117

Chapter 6 Creating and Editing Songs

Chapter 6

Changing the Recording Method

1.

Press the [Menu] button.

The Menu screen appears.

fig.d-menu1.eps_50

2.

Touch <Rec Mode>.

A “Rec Mode screen” like the following appears.

fig.d-recmode.eps_50

3.

Touch <Rec Mode>

to select the recording

mode.

4.

Touch <Exit>.

Returns to the Menu screen.

Recording While Erasing the
Previous Recording (Replace
Recording)

The recording process where previous material is erased as
new material is recorded is called “replace recording.” This
setting is in effect when you turn on the power.

1.

In the “Rec Mode screen” (p. 117), select <Replace>.

Touch <Exit> to return to the Menu screen.

The KF-7 is set to the replace recording mode.

Record the performance using the procedures described
in Chapter 4 (p. 90), “Multitrack Recording with 16 Parts
(16-Track Sequencer)” (p. 113).

Layering a Recording Over
Previously Recorded Sounds
(Mix Recording)

You can record a performance layered over a previously
recorded performance. This method is called “Mix
Recording.”

1.

In the “Rec Mode screen” (p. 117), select <Mix>.

Touch <Exit> to return to the Menu screen.

Record the performance using the procedures described
in “Recording While Selecting the Track Buttons
(Redoing Recordings)” (p. 96), “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 113), or other
methods.

* After you have finished with mix recording, return to the

usual replace recording mode.

Display

Recording Method

Replace

Replace Recording

Mix

Mix Recording

Loop

Loop Recording

Auto Punch-
In/Out

Punch-in recording of the interval
between set markers

Manual
Punch-In/Out

Punch-in recording starting from the
point at which the pedal, the
Performance Pad or the [

(Rec)] but-

ton is pressed
For more about Punch In Recording,
refer to p. 119.

Tempo

You can add tempo changes to a
recorded composition. See p. 128.

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