Ex5r – Yamaha EX5R User Manual

Page 9

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9

Introductor

y

Section

1

2

3

4

5

6

POWER

EXIT

SHIFT

TONE GENERATOR
REALTIME CONTROL
EXTENDED SYNTHESIS

1

2

3

4

5

6

VOICE

PERFORM

SONG

PATTERN

SAMPLE

JOB

L MONO

R

BREATH

PHONES

VOLUME

A D

INPUT

A D GAIN

STORE

UTILIT Y

DISK

SC2

SC1

EDIT COMPARE

KEYMAP

BYPASS

ARPEG

KNOB

CANCEL

CURSOR

DATA

TOP

REC

STOP

PLAY

POWER

RE W

F WD

ON

OFF

DEC NO

INC YES

SPACE

ABC

0

1

2

3

4

5

6

7

8

9

ENTER

DEF

GHI

JKL

MNO

PQR

STU

VWX

YZ

F1

F2

F3

F4

F5

F6

F7

F8

EXIT

SHIFT

E

VOICE

PERFORMANCE

SONG

PATTERN

SAMPLE

EDIT

JOB

STORE

UTILITY

DISK

FWD

REW

TOP

KNOB MODE

ARPEGGIO

COMPARE

KEYMAP

EF BYPASS

REC

STOP

PLAY

8 Keyboard (EX5 and EX7 only)
The EX5 has a 76-key keyboard while the EX7 has a 61-key keyboard. Both are velocity and
after-touch sensitive for broad, intimate expressive control.

6 A/D Gain Control
Adjusts the input level of the INPUT R and L/MONO jacks (the INPUT jack on the EX7), and
therefore the level of the signal appearing at the input of the A/D (Analog-to-Digital) converter.
This control is important for setting optimum record level when recording samples in the
SAMPLE mode.
➡ See page 70 for more information.

5 SCENE [1] and [2] Keys ([SC1] and [SC2] on the EX5R)
The SCENE [1] and [2] keys can be used to memorize and recall different settings of the
Controller Knobs, so a complete set of knob settings can be recalled instantaneously. Knob
scenes are stored by using the SCENE keys in conjunction with the STORE key (page 57).
When both SCENE indicators are lit (this is done by pressing one SCENE key while holding the
other), the MODULATION 2 wheel or a foot controller can be used to “morph” between the
two scenes stored in the SCENE [1] and [2] keys (page 57).

7 VOLUME Control
Adjusts the volume of the sound delivered via the rear-panel OUTPUT L/MONO and R jacks
as well as the PHONES jack.

EX5R

7 6

9

5

*

1, 2, 3, 4 and 8 are not available on EX5R.

Intro/E/qx 5/21/98 11:27 AM Page 9

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