Introduction to analog analog controls – Future Retro Revolution Owner Manual User Manual

Page 8

Advertising
background image

INTRODUCTION TO ANALOG

ANALOG CONTROLS

The Revolution is a true analog monophonic synthesizer, designed to accurately recreate the

classic sounds of the original TB303 Bassline and more. All of the elements of a sound can be

changed instantly by the dedicated control knobs and switches.

These controls are not digitized in any way for the storing of sound patches or transmitting knob

movements as MIDI CC messages. Instead we have chosen to keep these controls true analog just as

the original TB303. This prevents problems such as stair-stepping and jumping of parameters

common in most of today’s digital synthesizers. After all it’s analog, and its controls should be as

smooth as the sound it creates. You should find the unit is very simple to use, and is just begging to

be tweaked live.

The analog control locations should be very familiar to those who have already used a TB303, as we

kept the layout of the original controls and added our own little twist to things. Those who are not

already familiar with using a TB303, will be up and running in no time.

The analog section of the Revolution contains a voltage controlled oscillator capable of generating

both sawtooth and square waveforms over a 5 octave range. This oscillator, an external audio source,

or both, can be connected to the input of the 18db 3pole resonant low pass filter. The filter is used to

shape the overall tone of the sound. The filter’s frequency can be adjusted manually with the cutoff

control, swept by the dedicated filter envelope, modulated by the internal control voltages (generated

by the sequencer) or any external control voltage source, as well as the unique brightening effect that

accent has on the filter. Once the sound passes through the filter, it can then be overdriven and gated

by the amplifier section. Accent will also affect the overall volume of the Revolution’s amplifier.

And finally the sound can be processed by the internal DSP effects, before being sent to your audio

system.

These analog switches are located on the rear of the unit.

WAVEFORM SELECT

When this switch is pressed in, the square wave shape will be selected for the oscillator.

When this switch is in the out position, the sawtooth wave shape will be selected for the

oscillator. The square waveform contains only odd harmonics, and has a very hollow

sound. The sawtooth waveform contains all harmonics creating a very full and sometimes

raspy sound.

OVERDRIVE OFF/ON

When this switch is pressed in, the internal audio signal will be overdriven by an analog

distortion stage. When this switch is in the out position, overdrive will be turned off, and

the original clean signal will be heard. The overdrive stage is a nice way to add

harmonics to a sound. This distortion will provide an aggressive edge to the sound.

You may notice that there is no overdrive amount control. The overdrive stage in the

Revolution is dynamic, in the sense that the amount of resonance in the filter determines

how overdriven the sound will be. At lower resonance settings, sounds will be mildly

clipped. Higher resonance settings will cause the sound to become more distorted with

emphasis on the high end for clarity and cutting through.

6

Advertising