Analog monitor outputs – Studio Technologies 76DA V.4.00 User Manual

Page 12

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Issue 3, July 2012

Model 76DA/77 User Guide

Page 12

Studio Technologies, Inc.

for Surround

Post-Fader Surround Digital Monitor
Output
The post-fader surround digital monitor out-
put channels are designed for connection to
digital inputs on audio amplifiers associated
with monitor loudspeakers. Alternately, they
could be connected to the inputs of loud-
speakers that contain integrated amplifiers
with digital audio input capability.

Post-Fader Stereo Digital Monitor Output
The post-fader stereo digital monitor output
channels are intended to support a stereo
loudspeaker system, either by connecting
to the digital input of an amplifier associ-
ated with a set of loudspeakers or directly
to a set of amplified speakers that provide
digital inputs.

Analog Monitor Outputs

The connector labeled Analog Monitor Out-
puts provides access to the Model 76DA’s
6-channel (5.1) surround and

2-channel stereo analog monitor outputs.
The surround analog monitor output chan-
nels are intended to connect to analog
inputs associated with the surround loud-
speaker system incorporated in a facility.
The stereo analog monitor output allows
support for a secondary set of stereo moni-
tor loudspeakers.

The analog monitor output channels are
designed for connection to audio amplifiers
associated with monitor loudspeakers or
to the inputs of loudspeakers that contain
integrated amplifiers. The analog monitor
outputs are electronically balanced and will
perform optimally when driving loads of
2000 (2 k) ohms or greater. In most applica-
tions 3-pin XLR plugs (male) will be used
to interface with the inputs on the associ-
ated amplifiers or amplified speakers. In this
case the + terminal would go to pin 2 of the
XLR, the – terminal to XLR pin 3, and the
shield terminal to XLR pin 1.

Balanced operation of the analog monitor
outputs is the preferred connection method
but unbalanced operation does not pose a
problem. To connect to an unbalanced load
connect the + terminal as signal high, and
only the Model 76DA’s shield terminal as
the signal low/shield. Leave the – terminal
unconnected. For correct unbalanced
operation, it is important not to connect
– and shield together.

The wiring scheme used by the D-submin-
iature connector complies with that made
popular by TASCAM® with their DA-88®
product. A wiring assembly prepared for
the Model 76DA’s analog monitor outputs
is identical to that of a DA-88-style output
assembly. Please refer to Figure 5 for the
exact connection details. Again note that
unlike a DA-88-style assembly, the Model
76DA’s D-sub connectors use 4-40 threads.

TASCAM® Signal

Signal

Connections

Channel High (+)

Low (–)

Shield

Pre-Fader L/R

1

24

12

25

Pre-Fader C/SUB

2

10

23

11

Pre-Fader LS/RS

3

21

9

22

Stereo Input C Direct 4

7

20

8

Post-Fader L/R

5

18

6

19

Post-Fader C/SUB

6

4

17

5

Post-Fader LS/RS

7

15

3

16

Post-Fader Stereo

8

1

14

2

Notes: 1) All signals transformer-coupled digital audio;

selectable for AES3 or AES3id compatibility.

2) Connector type on Model 76DA is 25-pin

D-subminiature female (DB-25F). Installer must

provide male (DB-25M). Connector uses 4-40

threaded inserts for locking with mating plug.

3) Wiring scheme follows TASCAM DA-88 convention.

Standard DA-88-type wiring harnesses are directly

compatible, with the possible exception of 4-40 screw

threads being required.

Figure 4. Connections for Digital Monitor Outputs

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