SP Studio Systems SP-12 - Manual (Page 5)

CONTENTS
© E-mu Systems, Inc. 1985 Page 5
Enhanced by The Emulator Archive 2002 www.emulatorarchive.com
6C INTERNAL SYNC (SYNC 1) ........................................................................ 73
6D MIDI SYNC (SYNC 2) .................................................................................. 73
6E SMPTE SYNC (SYNC 3) ............................................................................. 74
6F CLICK SYNC (SYNC 4) ............................................................................... 75
6G WRITING SMPTE TIME CODE ON TAPE ................................................... 76
6H WRITING A 24 PPQN CLICK SYNC TRACK ON TAPE .............................. 77
PART 7: MIXING AND PROCESSING..........................................................78
7A MIXING AND PROCESSING: OVERVIEW .................................................. 79
7B PSEUDO AUTOMATED MIXDOWN ............................................................ 79
7C CREATING AMBIENCE............................................................................... 79
7D USING SPECIAL EFFECTS IN THE STUDIO.............................................. 80
APPENDIX.....................................................................................................81
APPENDIX A: THE ART OF SAMPLING................................................................. 82
PART 1: TAKING THE BEST POSSIBLE SAMPLE ............................................ 82
PART 2: MANIPULATING THE SAMPLE ........................................................... 86
APPENDIX C: UNDERSTANDING TIME SIGNATURES......................................... 89
APPENDIX D: UNDERSTANDING MIDI/SMPTE .................................................... 90
What does the MIDI cable do?............................................................................ 90
What does MIDI stand for? ................................................................................. 90
How can information control a synthesizer or drum machine?............................. 90
How does MIDI differentiate between different instruments?............................... 91
16 channels, huh? Sounds like a lot of patch cords to me!.................................. 91
What kind of words does the MIDI language include?......................................... 91
Dealing With “MlDlosyncracies” .......................................................................... 92
SMPTE ............................................................................................................... 92
APPENDIX E: TIPS ON CREATING REALISTIC DRUM PARTS ............................ 93
APPENDIX F: TIPS ON USING CASSETTE INTERFACES .................................... 94
APPENDIX G: HOW THE SP-12 WORKS............................................................... 96
APPENDIX H: SPECIAL FUNCTIONS (SET-UP #23) ............................................. 97