Citrus d-30 •5 1967 class a-30 top boost •5, Citrus d-30 – Line 6 POD Farm UX1 User Manual

Page 100

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POD Farm 1.01 – Model Gallery

6•5

Citrus D-30

In 1968, in a little music store on Old Compton St. in London, Clifford

Cooper was having trouble getting amplifier manufacturers to take him

seriously as a dealer, as they thought he was too young, and his shop

too small. So he did what seemed only logical to an enthusiastic young

man with a background in electrical engineering – he designed and built

his own amplifiers. Since he had come into a large quantity of bright

orange vinyl that was what he used to cover his cabinets. It wasn’t long

before high-profile musicians like Fleetwood Mac, Stevie Wonder, and

Frank Zappa were beating a path to his door. This model is based on

an Orange

®

AD30TC head, a 30 watt, Class A number with a great

personality that gracefully marries vintage British mid-gain breakup with

modern shimmer and presence. Back off the drive and you’ll get chimey

boutique tones, dig in with the drive up and the AD30 purrs pure Brit

Rock tone.

*All product names are trademarks of their respective owners, which are in no way associated or affiliated

with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying

the specific products that were studied during Line 6’s sound model development. ORANGE

®

is a registered

trademark of Orange Musical Electronic Company, Ltd.

p

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1967 Class A-30 Top Boost

The 1967 Class A-30 Top Boost model is based on* a Vox

®

AC 30. Music was changing in the early ‘60s and guitarists

were asking for more brilliance & twang. So the Jennings

Company, makers of Vox

®

amps, decided to add Treble and

Bass controls (and an extra 12AX7 gain stage, incidentally)

in addition to the Treble Cut knob it already had (which in

actuality was a sliding bandpass filter that always seemed like it

was working backwards); this additional circuit became known

as Top Boost.

The AC 30 with Top Boost was the amp made famous by many

British invasion bands. Much of the unique character of the Vox

®

sound can be attributed to the

fact that Class A amps overdrive in a very different way than Class AB. Brian May of Queen, Mike

Campbell of Tom Petty’s Heartbreakers, and The Edge of U2 have all used classic AC 30s to make their

music. Although usually played fairly clean, a cranked AC 30 has a great saturated lead tone, a la Brian

May on the early Queen albums.

On this Amp Model, the Middle control acts like the original Cut knob on the AC 30. We plugged

into the Hi gain input of the AC 30’s Brilliant channel when creating it. We also turned the tone

controls around, since original Top Boost amps had the bass and treble turned all the way down when

the knob was all the way up. Go figure.

VOX

®

is a registered trademark of Korg Europe Limited and is in no way associated or affiliated with Line

6. These product names, descriptions and images are provided for the sole purpose of identifying the specific

products that were studied during Line 6’s sound model development.

p

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