Stomp (distortions, dynamics, & filters) •19, Facial fuzz •19 fuzz pi •19, Stomp (distortions, dynamics, & filters) – Line 6 POD Farm UX1 User Manual

Page 114

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POD Farm 1.01 – Model Gallery

6•19

authentic kind of spin that a Leslie delivers, you’ll want to set the MIX

knob to max, since a Leslie had no ‘dry’ path.

* LESLIE

®

is a trademark of Suzuki Musical Instrument Manufacturing

Co. Ltd. and is in no way associated or affiliated with Line 6. These

product names, descriptions and images are provided for the sole purpose

of identifying the specific products that were studied during Line 6’s sound

model development.

p

Return to Model Gallery List

Stomp (Distortions, Dynamics, & Filters)

Stomp Effects give you a choice of Models of classic distortions stompboxes, a stomp box-style

compressor, and a couple of De-Esser effects designed for taming Sss and Shh sounds that are common

when recording vocals.

Facial Fuzz

Sometime in late 1966, an infamous circular stomp box hit the London

music scene. Designed and built by Arbiter Music, the Fuzz Face would

soon begin its famous association with guitar legend Jimi Hendrix (and

more recently, Eric Johnson). Like all stompboxes from the early era, the

Fuzz Face would see many design changes, as well as re-issues. Our model

is based on* the germanium diode-powered treasure pictured here: an

original, very early “gray with black screening” Arbiter Fuzz Face. Call the

Facial Fuzz model up, and treat yourself to our faithful re-creation of the

original’s fuzz and glory. Crank up the drive, and you’ll be seeing Purple

Haze right before your eyes!

*All product names used in this document are trademarks of their respective

owners, which are in no way associated or affiliated with Line 6. These

product names, descriptions and images are used solely to identify the specific

products whose tones and sounds were studied during Line 6’s sound model

development.

p

Return to Model Gallery List

Fuzz Pi

Not to be outdone by the Brits, the colonies came up with

their own twist on the fuzz rage. Mike Mathews and his band

of merry men at Electro-Harmonix

®

had been cooking up

all sorts of nifty effects when their attention turned to the

distortion/fuzz pedal. Their most popular offering was the

Electro-Harmonix

®

Big Muff Pi

®

, which POD Farm’s Fuzz

Pi model is based on*. The Pi was known more for its sweet

sustain than for its buzz, as in early Santana or Ernie Isley.

*All product names used in this document are trademarks of

their respective owners, which are in no way associated or

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