Line 6 POD Farm UX1 - Manual (Page 115)

POD Farm 1.01 – Model Gallery
6•20
affiliated with Line 6. These product names, descriptions and images are used solely to identify the specific
products whose tones and sounds were studied during Line 6’s sound model development.
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Screamer
From Stevie Ray Vaughan to Michael Landau, the simple Ibanez ® Tube
Screamer ® is the overdrive heard ‘round the world. This medium-gain pedal
was introduced in the early ‘80s, and in many blues circles, you’re not allowed
to solo without one. Over the years, Ibanez ® issued several variations of the
venerable Tube Screamer ® , but none have reached the fabled status of the
TS-808 ® that this model is based on*.
* IBANEZ ® is a trademark of Hoshino Gakki Co. Ltd. and is in no way
associated or affiliated with Line 6. These product names, descriptions and images
are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
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Classic Distortion
Born and bred in the late ‘70s, the ProCo Rat was the beginning
of a new generation of distortion boxes. With a sound that was
angrier and more aggressive than a fuzz, the Rat put teeth into
a new breed of metal that was beginning to crawl to the surface
of the music scene. The TONE knob on POD Farm’s Classic
Distortion Model based on* the Rat model functions like the
original’s “filter” control, giving you brighter tone at lower
settings, and darker tone at higher settings. Once bitten, you’ll
know why we call this one “tone with teeth!”
* All product names used in this document are trademarks of their
respective owners, which are in no way associated or affiliated
with Line 6. These product names, descriptions and images are used solely to identify the specific products
whose tones and sounds were studied during Line 6’s sound model development.
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Bass Overdrive
This model was inspired by our look at the Tech 21 Bass Sans Amp ® , plus a few extra liberties taken
by the Line 6 sound design team. The Sans Amp ® is famous for delivering a very quiet and crisp signal
under all circumstances, while also serving up a very distinct distortion. Is pleasingly metallic quality
makes it a favorite with the Post-Metal crowd and Industrial bands, and producers in all genres of
music have come to favor the Bass Sans Amp for crunching up loops. The Bass Overdrive covers the
same sort of territory, with a bit of a uniquely Line 6 bent. Choose this distortion for your bass or any
other signal and it will immediately become a very close and furry friend. Note for non-bass players:
this stomp box absolutely rocks on signals other than bass. No, really, try it.
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