Line 6 POD Farm UX1 - Manual (Page 105)

POD Farm 1.01 – Model Gallery
6•10
One of the interesting things about the Bassman ® is just how interactive the
Middle and Treble controls are. The Middle control isn’t a bandpass, as in
most tone control setups. Instead, it’s almost like a second treble control. The
two are additive, so if you’re running your Middle knob higher than halfway
up with this model, you’ll find that the Treble control might give you more
bright than you really want. On the other hand, when you turn the Middle
knob down, you’ll probably want to boost the Treble.
The Bassman ® , like many of the amps modeled for POD Farm, didn’t have a
master volume. So to get the kind of tone that the Bassman ® can deliver at
higher gain settings, you had to crank it up loud enough to do some serious
damage to anyone who might be standing close by. Now you can get that kind
of tone at a bedroom or studio level — or even through your headphones! Try
a Drive setting of about 4 or 5 — it’s guaranteed to dredge up the best R & B licks you know.
* FENDER ® and BASSMAN ® are registered trademarks of Fender Musical Instruments Corporation
and are in no way associated or affiliated with Line 6. These product names, descriptions and images are
provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model
development.
p Return to Model Gallery List
Guitar Cab Models
While we’re not going to bore you with complete descriptions of each cabinet that’s modeled in POD
Farm (“...and with the change from 12 ply Finnish Spruce to 13 ply Baltic Birch in October of 1973,
the resonant frequency of this cabinet dropped to 113.7Hz”), here’s a list of all the speaker cabinets
that were modeled for POD Farm:
1 x 6 1960 Super O (based on Supro S6616)
1 x 8 1960 Tiny Tweed (based on Fender® Tweed Champ®)
1x10 1959 Gibtone (based on Gibson® combo)
1x10 1960 G-Brand (based on Gretsch® 6156)
1x12 1953 Small Tweed (based on Fender® Tweed Wide Panel Deluxe
Reverb®)
1x12 1964 Blackface ‘Lux (based on Fender® Deluxe Reverb®)
1x12 1960 Class A-15 (based on Vox® AC-15)
2 x 2 2001 Mini T (based on Fender® Mini Twin)
2x12 2001 Line 6
2x12 1965 Blackface (based on Fender® Blackface Twin Reverb®)
2x12 1996 Match Chief (based on Matchless Chieftain)
2x12 1987 Jazz Clean (based on Roland® Jazz Chorus 120)
2x12 1967 Class A-30 (based on Vox® AC-30 Top Boost)
4x10 2001 Line 6
4x10 1959 Tweed B-Man (based on Fender® Bassman® cab)