Line 6 POD Farm UX1 User Manual

Page 41

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POD Farm 1.01 – Using Your Line 6 Hardware

2•27

In the PODxt Signal Routing selector you can choose one of four routing modes for the signals that

run inside PODxt, and to Record Send 1-2:

Send Processed Guitar

- This is the normal mode of operation: PODxt-processed sound is sent

to your computer via Record Send 1-2 so it can be recorded in your audio software. PODxt gets

its input from the guitar plugged into its INPUT jack, and you can listen to PODxt-processed

guitar sound as well as sound coming from your computer via PODxt’s LEFT OUTPUT, RIGHT

OUTPUT and PHONES jacks.
Send Clean Guitar

- This mode sends unprocessed guitar to your to Record Send 1-2, while you

listen to PODxt-processed guitar and software playback coming out of your PODxt. You can use

this to record an unprocessed guitar signal in your audio software for later re-amping, while hearing

your PODxt-processed guitar signal without latency being added by your recording program. You

can then choose USB Signal Routing modes 3 and 4 when you’re ready to playback that track

and re-amp it through your PODxt. You may also want to record a copy of your PODxt-processed

sound from the analog outputs of your PODxt when you are making your digital recording of the

clean guitar, so you have the processed version for reference when re-amping. This track is also

handy for punch-ins, since you can listen to it during punch-ins to hear the processed version of

the part of the previously recorded track that you want to keep.
Send Clean Guitar Re-Amp Playback

- This mode sends unprocessed guitar to your recording

software, feeds the signal from your computer into PODxt’s processing, and lets you hear the

PODxt-processed computer sound at PODxt’s outputs. You can use this to run an unprocessed

guitar track that you recorded using USB Signal Routing mode 2 into your PODxt for re-amping,

allowing you to listen to or record the PODxt-processed result via PODxt’s analog outputs. You

can also use this mode during initial recording, so that unprocessed guitar can be recorded to a

track, and the output of that track can be sent by the recording program to PODxt at the same

time. This lets you punch-in on the track while you’re recording, and hear PODxt processing of

the already recorded part of the track as well as the new portion that you’re recording during the

punch-in. Your recording software will add some latency to the guitar signal that it is monitoring

back through to PODxt. You can generally get the lowest latency by reducing your buffer size in

the recording software, but lower buffer settings will utilize more of your computer’s processing,

so you may not be able to run as many tracks or effects in your recording software when you do

this. See your recording software’s instructions for details.
Send Re-Amp Playback

- This mode is designed to receive unprocessed guitar from your recording

program, and send processed guitar back to the recording program for recording. You can use this

to run an unprocessed guitar track that you recorded using USB Signal Routing mode 2 into your

PODxt for re-amping, so you can digitally record the PODxt-processed signal back to another

track in the recording program.

Note – it is not a supported practice to “hot swap” your Line 6 device (unplug the USB cable and plug

it into a different USB device) while it is in use by your computer and DAW software. In fact, this just

isn’t a good idea to do with any USB audio devices, since it can result in a loud pop, loss of sync and

possibly crash or corrupt your current DAW project.

Routing Audio From Your Line 6 Hardware to an External Device

In addition to the ability to route digital audio directly within your computer, you may instead want to

route your POD Farm or POD signal into another sound card on the same or separate computer. Better

yet, with all the great tones you can now create for your mics & instruments, there is no need to limit

them to the inside of a computer! You may also want to send the signal to external hardware such as

an analog or tape Multitrack unit, a DAT or video tape recorder, or even to an amplifier or P.A. system

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