Designing with hdx digital microphone arrays, Designing with hdx digital microphone arrays –12 – Polycom C16 User Manual

Page 160

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Design Guide for the Polycom SoundStructure C16, C12, C8, and SR12

6 - 12

It is also possible to limit the minimum and maximum user gain settings via

SoundStructure Studio software by using the min and max gain limits on the

fader control. This can be done graphically on the channels page as shown in

the following figure or via the SoundStructure API. See the fader command for

the syntax of how to use the min and max user limits.

Because SoundStructure systems receive volume change requests from the

HDX and do not send volume messages to the Polycom HDX, any volume

limit set on the SoundStructure system will not be recognized by the HDX.

This means that while the user adjusts volume on the Polycom HDX, it will

appear as the volume continues to change on the Polycom HDX UI although a

volume limit may have already been reached within the SoundStructure

system which would prevent the system from getting any louder in the room.

Designing With HDX Digital Microphone Arrays

Each HDX digital microphone array has three microphone elements and must

be thought of as three microphone inputs. As a result, each HDX digital

microphone requires the processing of three SoundStructure analog input

channels. In other words, for Because each digital microphone array is

represented as three microphones, every microphone array and its respective

three microphone elements can be used independently with a SoundStructure

device. This means that several HDX microphone arrays can be linked

together and used, for example, in room combining applications where one or

more microphone arrays are in one room and one or more microphone arrays

are in a different room. The different microphone array elements may be

muted and used in the matrix independently as easily as if they were

traditional analog microphones.

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This manual is related to the following products:

C8, SR12, C12