3+2+1 surround mode – ALESIS 03D User Manual
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Chapter 6—Pan, Routing & Surround Pan
03D—Owner’s Manual
In 3+1 mode, channel routing and pan look like this. The pan control and 1 and
2 routing switches can still be used to assign the channel signal to bus outs 1 and
2. The SURR switch is used to assign the channel to the surround sound out-
puts.
3+2+1 Surround Mode
The 3+2+1 surround pan mode uses six channels: front left, front
right, rear left, rear right, front center, and subwoofer. The front
speakers are fed from the 03D stereo output, the rear speakers are fed
from bus outs 3 and 4, the front center speaker is fed from bus out 1,
and the subwoofer is fed from bus out 2. The following illustration
shows a 3+2+1 surround sound system using the 03D. This could be
used for Dolby AC-3 Surround authoring.
In 3+2+1 mode, channel routing looks like this. The pan control is replaced
with a sub woofer trim control, and routing switches 1 and 2 are replaced by a
subwoofer assign switch. The SURR switch is used to assign the channel to the
surround sound outputs.
PHONES
PHONES
+10
–34
–60
–16
26dB
1
+10
–34
–60
–16
26dB
2
+10
–34
–60
–16
26dB
3
+10
–34
–60
–16
26dB
4
+10
–34
–60
–16
26dB
5
+10
–34
–60
–16
26dB
6
+10
–34
–60
–16
26dB
7
+10
–34
–60
–16
26dB
8
+10
–20
+10
9
GAIN
+10
–20
+10
10
GAIN
+10
–20
+10
11
GAIN
+10
–20
+10
12
GAIN
+10
–20
+10
13
GAIN
+10
–20
+10
14
GAIN
+10
–20
+10
15
GAIN
+10
–20
+10
16
GAIN
+10
–20
+10
ST IN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
10
0
SOLO/ 2TR IN
MONITOR
OUT
LEVEL
10
0
LEVEL
SCENE MEMORY
SETUP
CHANNEL CONTROL
FADER MODE
MIXING LAYER
1–16
17–24/MASTER
USER DEFINE
SOLO
RECALL
ENTER
L STEREO R
USER DEFINE
EFFECT RTN
ST IN
13–16
9–12
FADER 1–8
SCENE MEMORY
FUNCTION
SEL CH
FADER
STATUS
SCENE
MEMORY
MIDI
REMOTE
UTILITY
AUTOMIX
VIEW
HIGH
HI-MID
LO-MID
EQ LOW
AUX 1
FADER
EFFECT 1
EFFECT 2
AUX 2
AUX 3
AUX 4
EQ LIBRARY
SOLO SETUP
GROUP/PAIR
DYNAMICS
DELAY/Ø
PAN/ROUTING
MIDI
DIO
PARAMETER
CURSOR
STORE
UNDO/
REDO
CLIP
–3
–6
–9
–12
–15
–18
–24
–30
–36
–42
–48
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
SEL
ON
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
SOLO
1
2
PAD
EQ FLAT
METER
1
2
3
4
FL
Amps
Recorder
FC
FR
SW
RL
RR
ST OUT-L
ST OUT-R
BUS OUT 1
BUS OUT 2
BUS OUT 3
BUS OUT 4