Adobe Premiere Pro CC v.7.xx User Manual
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Table of contents
Document Outline
- Contents
- What's New
- What's New in Premiere Pro CC December 2013 release (version 7.2)
- What's new in Premiere Pro CC October 2013 release (version 7.1)
- What's new in Premiere Pro CC July 2013 release (version 7.0.1)
- What's New in Adobe Premiere Pro CC June 2013 release (version 7.0)
- What's new in Adobe Media Encoder CC 7.1 and CC 7.2
- Workspace and workflow
- Workspaces
- Sync settings
- Direct-Link workflow between Premiere Pro and SpeedGrade
- Using the Source Monitor and Program Monitor
- Multi-Camera editing workflow
- Control surface support
- Keyboard shortcuts in Premiere Pro CC
- Cross-application workflows
- Setting up your system
- Preferences
- Working with Panels
- Adobe Dynamic Link
- Cross-platform workflow
- Basic workflow
- Project setup
- Importing footage
- Transferring and importing files
- Importing assets from tapeless formats
- Importing still images
- Support for growing files
- Working with timecode
- Importing XML project files fromFinal Cut Pro
- Importing sequences, clip lists,libraries, and compositions
- Importing digital audio
- Digitizing analog video
- Create clips for offline editing
- Capturing and digitizing
- Capturing HD video
- Capturing DV or HDV video
- Capturing content for DVD
- Batch capturing and recapturing
- Managing assets
- Monitoring assets
- Editing sequences and clips
- Relinking offline media
- Trimming clips
- Source patching and track targeting
- Multi-Camera editing workflow
- Edit from sequences loaded into the Source monitor
- Closed Captioning
- Synchronizing audio and video with Merge Clips
- Rendering and previewing sequences
- Remove alerts with the Events panel
- Rearranging clips in a sequence
- Working with offline clips
- Modifying clip properties withInterpret Footage
- Creating and changing sequences
- Creating special clips (synthetics)
- Creating and playing clips
- Adding clips to sequences
- Correcting mistakes
- Working with clips in a sequence
- Trimming clips (CS5 and CS5.5)
- Editing audio
- Overview of audio and the Audio Track Mixer
- Working with clips, channels, and tracks
- Editing audio in a Timeline panel
- Recording audio
- Recording audio mixes
- Panning and balancing
- Multiple stereo assignments for tracks to multichannel masters
- Monitor clip volume and pan using Audio Clip Mixer
- Editing audio in Adobe Audition
- Advanced mixing
- Adjusting volume levels
- Titling and the Titler
- Effects and transitions
- Motion: position, scale, and rotatea clip
- Viewing and adjusting effects and keyframes
- Transition overview: applying transitions
- Three-way Color Corrector effect
- Stabilize motion with the Warp Stabilizer effect
- The rolling shutter repair effect
- Modifying and customizing transitions
- Interlacing and field order
- Adjustment Layers
- About effects
- Eliminate flicker
- Effect presets
- Duration and speed
- Creating common results
- Color correction and adjustment
- Working with audio transitions
- Audio effects and transitions
- Applying, removing, finding, and organizingeffects
- Applying effects to audio
- Animation and keyframes
- Compositing
- Exporting
- Workflow and overview for exporting
- Exporting to DVD or Blu-ray Disc
- Smart rendering
- Working with Adobe SpeedGrade
- Working with Adobe Prelude
- Export a still image
- Formats exported directly fromPremiere Pro
- Export to Panasonic P2 format
- Exporting for the Web and mobile devices
- Exporting to videotape
- Exporting projects for other applications
- Exporting OMF files for Pro Tools