St. sub oscillator (stereo sub oscillator), Talking modulator, Effects – KORG Professional Engineer PA3 User Manual

Page 118: Eq and filters (eq/filter), D: envelope pre lpf

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116

Effects

EQ and Filters (EQ/Filter)

16: St. Sub Oscillator

(Stereo Sub Oscillator)

This effect adds very low frequencies to the input signal. It is
very useful when simulating a roaring drum sound or emphasiz-
ing powerful low range. This effect is different from the equal-
izer in that you can add very low range harmonics. You can also
adjust the oscillator frequency to match a particular note num-
ber, for use as an octaver.

a: OSC Mode
b: Note Interval
b: Note Fine

The “OSC Mode” parameter selects the oscillator operation
mode. When Note (Key Follow) is selected, the oscillator’s fre-
quency is determined based on the note number, allowing you to
use it as an octaver. The “Note Interval” parameter sets the pitch
offset from the original note number by semitone steps. The
“Note Fine” parameter allows you to fine-tune in steps of cents.

d: Envelope Pre LPF

This parameter sets the upper limit of the frequency range to
which very low harmonics are added. Adjust this parameter if
you do not want to add lower harmonics to the higher range.

17: Talking Modulator

This effect adds an unusual character, like a human voice, to the
input signal. Modulating the tone via dynamic modulation, you
can create an interesting effect that sounds as if the guitar or syn-
thesizer is talking.

a

OSC Mode

Note (Key
Follow), Fixed

Determines whether the oscillator
frequency follows the note number
or whether it is fixed

b

Note Interval

–48...0

Sets the pitch difference from the
note number when OSC
Mode=Note (Key Follow)

Note Fine

–100...+100

Fine adjustment of the oscillator
frequency

c

Fixed
Frequency [Hz]

10.0...80.0

Sets the oscillator frequency when
OSC Mode=Fixed

Src

Off...Tempo

Selects the modulation source for
the oscillator frequency when OSC
Mode=Fixed

Amt

–80...+80

Sets the oscillator frequency
modulation amount when OSC
Mode=Fixed

d

Envelope Pre
LPF

1...100

Sets the upper limit of the frequency
range for which very low harmonics
are added

e

Envelope Sens

0...100

Sets the sensitivity with which very
low harmonics are added

Envelope
Shape

–100...+100

Sets the oscillator’s volume
envelope curve

f

Wet/Dry

Dry, 1:99...99:1,
Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 106

Amt

–100...+100

Amount of modulation source

FX Amt

Note No.

OSC Mode

Fixed

Note (Key Follow)

Sine Oscillator

Fixed Frequency

Pitch

Note Interval, Fine

Stereo In - Stereo Out

Left

Right

FX Amt

Envelope Sens

Envelope Shape

Envelope Shape

D

-mod

Pre LPF

Envelope Sens Pre LPF

a

Sweep Mode

D-mod, LFO

Switches between modulation
source control and LFO control

b

Manual Voice
Control

Bottom, 1...49,
Center, 51...99,
Top

Voice pattern control

Src

Off...Tempo

Selects the modulation source that
controls the voice pattern

c

Voice Top

A, I, U, E, O

Selects a vowel sound at the top
end of control

d

Voice Center

A, I, U, E, O

Selects a vowel sound in the center
of control

e

Voice Bottom

A, I, U, E, O

Selects a vowel sound at the bottom
end of control

f

Formant Shift

–100...+100

Sets the frequency to which the
effect is applied

Resonance

0...100

Sets the Level of resonance of the
voice pattern

g

LFO Frequency
[Hz]

0.02...20.00

Sets the speed of the LFO

Src

Off...Tempo

Selects a modulation source for LFO
speed

Amt

–20.00...
+20.00

Sets the modulation amount of LFO
speed

h

MIDI Sync

Off, On

When this is on, the LFO speed is set
by BPM, Base Note, and Times,
instead of Frequency

BPM

MIDI,
40.00...
300.00

MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect

Base Note

r...w

Selects the type of notes that
specify the LFO speed

Times

x1...x32

Sets the number of notes that
specify the LFO speed

i

Wet/Dry

Dry, 1:99...99:1,
Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 106

Amt

–100...+100

Amount of modulation source

FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out

Left

Right

FX Amt

FX Amt

+

D

-mod

Voice Top: A

Voice Center: I

Voice Bottom: U

A

-

I

-

U

-

E

-

O

Talking Modulator

LFO

D-mod

LFO

Sweep Mode

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