KORG Professional Engineer PA3 - Manual (Page 119)

117 Effects
EQ and Filters (EQ/Filter)
Advanced
c: Voice Top
d: Voice Center
e: Voice Bottom
These parameters assign vowels to the top, center, and bottom
position of the controller.
E.g.: When “Voice Top”=A, “Voice Center”=I, and
“Voice Bottom”=U:
If “Sweep Mode”is set to D-mod and Ribbon is selected as the
modulation source, moving your finger from the right to left of
the ribbon controller will change the sound from “a” to “i,” then
“u.”
If Sweep Mode is set to LFO, the sound will change cyclically
from “a” to “i,” “u,” “i,” then “a.”
f: Formant Shift
This parameter adjusts the frequency level to which the effect is
applied. If you wish to apply the effect to a higher-range sound,
set this parameter to a higher value; to apply the effect to a
lower-range sound, set this to a lower value.
f: Resonance
This parameter sets the intensity of resonance for the voice pat-
tern. A larger value will add more character to the sound.
18: Stereo Decimator
This effect creates a rough sound like a cheap sampler by lower-
ing the sampling frequency and data bit length. You can also
simulate noise unique to a sampler (aliasing).
a: Pre LPF
If a sampler with a very low sampling frequency receives very
high-pitched sound that could not be heard during playback, it
could generate pitch noise that is unrelated to the original sound.
Set “Pre LPF” to On to prevent this noise from being generated.
If you set the “Sampling Freq” to about 3 kHz and set “Pre LPF”
to Off, you can create a sound like a ring modulator.
f: Resolution
g: Output Level
If you set a smaller value for the “Resolution” parameter, the
sound may be distorted. The volume level may also be changed.
Use “Output Level” to adjust the level.
+ Max
Zero
D -mod
– Max
Voice Bottom Voice Center Voice Top
U
I
A A
O
E
JS X
Ribbon
JS +Y
JS –Y
etc…
Zero
+ Max
Talking Modulator Control a
Pre LPF Off, On
Selects whether the harmonic noise
caused by a decrease in sampling
frequency is generated or not
High Damp [%] 0...100
Sets the ratio of cut of the high
range
b
Sampling Freq
[Hz] 1.00k...
48.00k
Sets the sampling frequency
Src Off...Tempo
Selects the modulation source of
the sampling frequency
Amt
–48.00k...
+48.00k Sets the modulation amount of the
sampling frequency
c
LFO Frequency
[Hz]
0.02...20.00 Sets the speed of the LFO
Src Off...Tempo
Selects a modulation source for LFO
speed
Amt
–20.00...
+20.00 Sets the modulation amount of LFO
speed
d
MIDI Sync Off, On
When this is on, the LFO speed is set
by BPM, Base Note, and Times,
instead of Frequency
BPM
MIDI,
40.00...
300.00 MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect
Base Note r...w
Selects the type of notes that
specify the LFO speed
Times x1...x32
Sets the number of notes that
specify the LFO speed
e
Depth 0...100
Sets the depth of the sampling
frequency LFO modulation
Src Off...Tempo
Selects the LFO modulation source
of the sampling frequency
Amt –100...+100
Sets the LFO modulation amount of
the sampling frequency
f Resolution 4...24 Sets the data bit length
g
Output Level 0...100 Sets the output level
Src Off...Tempo
Selects the modulation source for
the output level
Amt –100...+100
Sets the modulation amount of the
output level
h
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 106
Amt –100...+100 Amount of modulation source
Left
Right
FX Amt
FX Amt
Stereo In - Stereo Out
Pre LPF
Pre LPF
High Damp Output Level
High Damp Output Level
Sampling Frequency
Decimator
Decimator
D -mod
LFO
Resolution
Resolution