Roland V-Synth GT - Manual (Page 97)

97
Editing a Tone (Pro Edit)
Com MOD COSM1/2 TVA Effects OSC1/2 AP Syn
Depending on the waveform you’re using, the assignment of knobs 5 and 6 will change as follows.
Sub OSC Octave Select
(Sub Oscillator Octave Select) OFF The sub-oscillator will not be used.
-2 The sub-oscillator will be added two octaves below the basic pitch.
-1 The sub-oscillator will be added one octave below the basic pitch.
0 The sub-oscillator will be added at the same pitch as the basic pitch.
Sub Level (Sub Oscillator Level) 0–127 Specifies the volume of the sub oscillator.
Impact (Analog Oscillator Impact) 0.0–4.0 Specifies the sharpness of the attack of the analog oscillator. Higher
settings will produce a sharper attack.
Wave Gain -12– +12 dB Sets the gain (amplification) of the waveform.
Pitch (Oscillator Pitch) -63– +63 Adjusts the pitch of the oscillator.
Coarse Tune
(Oscillator Coarse Tune) -48– +48 Adjusts the pitch of the oscillator up or down in semitone steps (+/-4
octaves).
Fine Tune
(Oscillator Fine Tune) -50– +50 Adjusts the pitch of the oscillator up or down in 1-cent steps (+/-50
cents).
One cent is 1/100th of a semitone.
Parameter Value Description
If Sub OSC is 0, -1, or -2
Pulse Width
-63– +63 Specifies the amount by which the wave shape will be modified.
Detune -63– +63 Specifies the detuning (pitch difference) of the sub-oscillator.
If the Waveform is SUPER-SAW
SS Detune
-63– +63 Adjusts the detune (pitch difference) for the super-saw.
Mix -63– +63 Adjusts the volume of the detuned sounds relative to the central sound.
As the knob is rotated to the right, the detuned sounds will become
louder, making the sound thicker.
If the Waveform is FBACK-OSC
Harmonics
-63– +63 Varies the sound of the harmonics.
FBK Amount (Feedback Amount) -63– +63 Adjusts the amount of feedback to adjust the level of the harmonics.
If the Waveform is X-MOD-OSC
X-MOD (Cross Modulation Depth)
-63– +63 Cross Modulation is when OSC2 modifies the frequency of OSC1. X-
MOD adjusts the depth of this Cross Modulation. As the knob is rotat-
ed toward the right, the sound of OSC1 will become more complex,
with more overtones, and will be suitable for creating metallic sounds
and sound effects.
“Cross Modulation Depth” can be selected only for OSC1.
“Cross Modulation Depth” does nothing if OSC2 is off.
Fat 0–127 Emphasizes the low-frequency region of the sound.
In other cases
Pulse Width
-63– +63 Specifies the amount by which the wave shape will be modified.
Fat 0–127 Emphasizes the low-frequency region of the sound.
Parameter Value Description
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