Roland KR107 - Manual (Page 133)

133
Chapter 8 Creating Music Styles
Chapter 8
❍ Creating Styles in Auto Mode
Points to note when creating songs
• Use one of the major, minor, or diminished seventh
chords to create the song. We recommend using
diminished seventh chords to compose the song.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
→ When using parts other than Part 2, 7, 8, 9, and D, refer to
“Changing an Extracted Part” (p. 134).
Creating songs
1. Use the 16-track sequencer to record the song.
Record the song after referring to “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 114) and other
related sections.
When using music data, first select a song (p. 65).
Displaying the Style Converter screen
2.
Press the [Menu] button.
The Menu screen appears.
3.
Touch <Style Converter>.
* If no song for use in creating a new Style is selected, the
message “Please select a song” appears. Use the [Song] button
to select a song (p. 65), then start the procedure again.
* If a User Style has already been recorded, a message like the
one shown below appears.
fig.m-styledel.eps
Touch <Cancel> to return to the Menu screen. Please save the
User Style on an external memory or in the internal memory
(p. 135).
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
A “Style Converter screen” like the one shown appears.
fig.d-styleconv.eps_50
Making the Settings
4.
Touch <Conv.Mode>, then use the dial to switch the
mode to “Auto.”
This makes the setting for the Auto mode.
5. Touch <Chord Root> and <Chord Type>, then use the
dial to input the chord root and type for the segment to
be extracted.
6. Touch <Division>, then use the dial to select the
Division.
* Only one measure can be extracted when “Fill To Vari” or
“Fill To Ori” is selected for the Division. The number of
Rhythm Bass Accomp
1
Accomp
2
Accomp
3
D (10) 2 7 8 9
Parameter
Name
Settings Content
Conv.Mode Switches the mode (Auto/Manual)
Chord Root
Chord root for the segment to be
extracted
Chord Type
Chord type for the segment to be
extracted (major/minor/seventh)
Division Division
From
Measure number of the first measure of
the segment to be extracted
For Number of measures extracted
Display Performance division
Intro Intro
Original Original accompaniment pattern
Fill To
Vari
From the fill-in to the variation
Variation Variation accompaniment pattern
Fill To Ori From the fill-in to the original
Ending Ending
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