LinPlug relectro User Manual

Page 19

Advertising
background image

Note: A negative modulation depth is mainly used to inverse the modulation
source’s waveform. So you can in example use the falling sawtooth of the
LFO with a negative Depth to achieve the effect of a raising sawtooth.

The Modulation Destination determines what is modulated or changed. If
you pick in example the Pitch Note it means that the value of Pitch Note
from the main section is changed according to the value of the Modulation
Source and as much as set up in Modulation Depth. The Destinations
include almost all parameters from the main audio processing as well as
some from the input and output section. They are simply named after the
respective parameters in the input, main processing and output section.
Additionally you find Mod Matrix Depth 1..3 in there, allowing a modulation
being modulated itself; in example you could use a LFO in Matrix slot 1 to
modulate the Pitch and set up the Modulation Wheel to modulate slot 1
(thus effectively controlling the LFO to Pitch modulation with the Modulation
Wheel).

Note: Using a MIDI controller is often advantageous to using Parameter
Automation (something your host software most likely supports to record
parameter changes). The reasons are as follows:
When you automate a parameter, you cannot easily change its value later
on, because automation overwrites the changes you make on the relectro
user interface. However, when using in example the MIDI Modulation
Wheel, assigned via the Matrix, you can easily adjust the modulated
parameters value later on.
Second, you not only can change the parameter value easily, you can also
easily adjust the intensity of the modulation, which might come handy even
more often.
Finally relectro can handle such modulation which is assigned via the
Matrix more efficiently as a constant change of a parameter; however, this
is nothing you need to care about anyway.

LinPlug relectro user manual

Page 19

Advertising