Lexicon MPX 1 User Manual
Page 115
9-7
MPX 1 Internal Controllers
93
Rubberate
A comb flange controlled by input level with slight delays and ambience.
94
FlangeNonlin
A flange fed into a nonlinear reverb.
95
TalkinFlange
A throaty vowel effect controlled by input level. Works well with percussive or melodic
sources.
96
Tape Flange
Simulated version of over-the-top analog tape flanging.
97
CircleFlange
A resonant multiswept high flange in a small reverberant space.
98
Slow Flange
A slow sine wave attached to the flanger’s depth creates a patiently flanged effect.
99
FlangSweepAB
A very deep, fixed resonant flange with added delays. Press A/B to initiate a single sweep.
Press Value to change sweep rates, resonance and delay times.
100
EP Tremolo
A Rhodes-like satellite tremolo with some detuning and reverb.
101
Phat Detune
This detune and delay effect will really thicken up sustained sounds. Try it with
synthesizer pads, sustained guitar chords, or any long tones.
102
Detune&Dlys
Dual detuner combined with dual delays. The detuner is inserted in the delay feedback
loop so delays are detuned further with each repeat. A very useful, general purpose delay
effect.
103
Detune+Hall
For the creamiest detuning, this preset’s the one — with an LFO constantly inverting the
two detunes. Press A/B to add a medium hall on another path.
104
Pitch-O-Latr
Fast stepped and panned pitch shifters with a slight hall reverb.
105
S/H Pitch
Definitely a special effect! The pitch shifter is controlled by the S/H generator to create
semi-random angular melodies, which are internally routed through a delay and reverb.
As the pitch shift effect is driven by input level, things don’t start to get weird until the level
is pretty low.
106
Uni to Chord
Press A/B to glide from unison to major chord.
107
Doubler
Detuners and delays combined to produce randomized double track effects
108
Wet Triads
Need some extra harmony? Load this and you’ve instantly got major chords. Need some
minors instead? Press A/B to change the chord status. By the way, you’re playing the third
of the chord...